itch.io

Hi! Just released yesterday on itch the demo of my game, wanna give it a try?

https://tenkarider.itch.io/lostbound

Lostbound is a dark Zeldalike Roguelite Action RPG about finding artifacts in a world of darkness that The Hand is destroying. Don't let it drag you in the Abyss.

• A world of darkness: it's everywhere below you, its dwellers are deadly and The Hand will stalk you nonstop, destroying your path;
• Worldmap management: time and the world are your most important resources, don't waste them;
• Artifact hunt: hidden and randomly scattered through the map. Each seed will roll random artifacts for random custom builds each run. You will never trace the same path;
• Dark dungeons: when darkness will surround you, you'll have to jump inside darkness and sneak your way out of dark dungeons, here the rules are different and at night The Hand will catch you

Hi! Released yesterday my demo of Lostbound, a dark Zeldalike Roguelite in which you hunt artifacts in a classic worldmap, but made of darkness and under destruction by The Hand. Don't let it drag you in the Abyss.

https://tenkarider.itch.io/lostbound

Hi! How 'bout adding my game as well? (Lostbound)

https://tenkarider.itch.io/lostbound

Hi! Released yesterday my demo of Lostbound, a dark Zeldalike Roguelite in which you hunt artifacts in a classic worldmap, but made of darkness and under destruction by The Hand. Don't let it drag you in the Abyss.

https://tenkarider.itch.io/lostbound

Lostbound

https://tenkarider.itch.io/lostbound

Hi! This version of Lostbound, even if it's the first one shared on itch, is actually the result of several iterations of developement, followed by players feedback and then further polishing.

This version is pretty close to the date of the release and i'd like to receive more feedbacks... i know the guidelines tell to specify which kind of feedback but i simply want an overall feedback on the game. The game is so stuffed with gimmicks that it will be kinda inevitable to have something to say about some aspect of the game...

https://tenkarider.itch.io/lostbound

Recap on the features of the game:

• A world of darkness: it's everywhere below you, its dwellers are deadly and The Hand will stalk you nonstop, destroying your path;
• Worldmap management: time and the world are your most important resources, don't waste them;
• Artifact hunt: hidden and randomly scattered through the map. Each seed will roll random artifacts for random custom builds each run. You will never trace the same path;
• Dark dungeons: when darkness will surround you, you'll have to jump inside darkness and sneak your way out of dark dungeons, here the rules are different and at night The Hand will catch you

https://tenkarider.itch.io/lostbound

Lostbound is my currently wip game and it's a Zeldalike Roguelite in which you hunt for artifacts in a classic worldmap but made of darkness and under destruction by The Hand. Don't let it drag you in the Abyss.

• A world of darkness: it's everywhere below you, its dwellers are deadly and The Hand will stalk you nonstop, destroying your path;
• Worldmap management: time and the world are your most important resources, don't waste them;
• Artifact hunt: hidden and randomly scattered through the map. Each seed will roll random artifacts for random custom builds each run. You will never trace the same path;
• Dark dungeons: when darkness will surround you, you'll have to jump inside darkness and sneak your way out of dark dungeons, here the rules are different and at night The Hand will catch you

If we sum up even the current war and all the ICE mess...

That government agenda is all about censorship, racism, fear, threatening and war... pretty much the same agenda of Fascism, they are the same thing.

Well, i guess the dots are starting to connect (actually they were connected since a long while)

Sounds like a cute way to say they banned videogames, except tiny indies?

Hi! So today i was trying to acces to General Discussion... the usual captcha check... except it loads for a very long time, then it doesn't show up and says it requires an extra control for this connection.

The only issue is that aside saying that, nothing else shows up and i'm stuck there without being able to interact with anything... what's happening?

EDIT: now i managed to enter, but i had to retry several times...

Among the games mentioned from OP, not everyone is from 2025, so i'll mention Rabi-Ribi, a metroidvania bullethell that is hard even for my standards.

PS. is persona 5 considered hard? (never played it, but i saw persona 3 and 4)

That's cool and everything... but so what? 16 days ago has been created this topic, still no trace on your twitch so far about any game mentioned here

Do you save the stream or must be seen while live?

Hi! So, would you stream my game (The Rogue of Nexus) for free?

https://powerupteam.itch.io/the-rogue-of-nexus

Roguelite Action RPG

No focus in anything in particular

Hi! It would be a great time to receive more feedbacks from you on the latest Major update of The Rogue of Nexus, that i released yesterday, do you think you can help me?

The Rogue of Nexus: version 1.1.4 Major update (Demo 0.5.9 and Web version included), time for new feedbacks!

Check the devlog for more details on the changelog: it's quite big!

https://powerupteam.itch.io/the-rogue-of-nexus/devlog/1143896/major-update-114

So i gathered tons of feedbacks and with time i implemented a bunch of improvements: it's time to validate my efforts.

Looking for feedbacks on my update and the sooner the better, that will help for next schedule.

Probably a yes/no/ignore would fit better at this point... (the ignore i think it's not necessary, if someone doens't want to rate yes/no, surely won't do that one either, even worse if they would do, get ready to a rain of ignore, since viewer who doesn't interact are the dominant part of the whole)

Quoting me from Reddit:

To be honest, if you ask me, a 5 stars voting system instead of 0 to 10 is too much limited, i mean: 4 means that it's a game that might be worth from 6/10 to 8/10... way too vague.

Considered that 4 stars can describe both a good game and a meh one, no wonder it can be perceived as bad.

Also, rather than a not perfect game, 4 sounds like a... not a 5 (meh), basically from my perspective of gamedev i perceive it like the vote that crushes your streak of 5 stars ratings.

So i don't like to give a 4... i'd rather give a 5 if i think it would be more likely a solid 4, in that way it won't be perceived as negative by anyone.

This is Itch, not Steam: more than average is not a masterpiece, let alone a budget game! You cannot use conventional criteria of more popular gaming for indies who probably cannot even afford 100 bucks for the Steam page (and some of them yet make a good game!). The best ones will be distinguished by getting tons of more votes, review, comments, visibility... and maybe even some concrete earnings. Don't you think that's already more than enough, as difference? Just let not-perfect itch games get their 5 stars, no one will be penalized from doing that.

If i don't think it can possibly get a 5 stars by any way, then i just don't vote: it's so hard to gain some genuine vote, when starting from scratch: it feels almost cruel to even give a negative one and destroy the game.

Blatant scams or tremendous game you probably don't even try the game so you don't vote as well, even giving minimum vote to scammers sounds as too much exposure for scammers, so it's just better to not feed them.

So in the end rating on itch i perceive it as a Yes (5) or No (don't vote), and probably i'm not the only one who perceive it this way

My world of darkness is actually alive: darkness tracks your path and The Hand stalks you and destroy the world, while you search for artifacts. Each run will never be the same and every single movement/action in the world will have its own weight

Personally i think what it's good to do here is trading feedbacks among devs, but in order to make sense both the devs should agree to do that before starting

Mh... hard to tell, there might be much more than what i remember, so i'm gonna mention among the latest ones:

FFXII Yazmat, fighting for 3 days... it happened

FFXII the zodiac age - the 5 judges at the end of the 100 stages mode, i aided my bro in fighting them by providing suggestions on strategy, he was underleveled but they were tremendous in any case. I loved how the battle was designed for using any possible feature and trick of the game, included spacing and distances and timing... it pretty much included all i wanted the game could ever implement all around the game (i think that modding could make wonders here)

Disgaea D2 Baal (the 400 million HP version for my own mental sanity), it was so cool, never saw such a great display of features and awesomeness all in one go in a single bossfight of a strategy JRPG game, i literally had to use everything here a fight for a whole night, trying to not make any serious mistake

Rabi Ribi - Irisu (hard mode) the game is incredible on its own, this battle is quite intense, and yet i still have to fight the power-up version of it which was available only after the ps4 latest platinum edition update

Rabi Ribi - No 0% item run, almost literally any bossfight... i really say what i mean: (well at least starting from hell difficulty or it would probably become much easier) every battle will make you sweat blood, you will never forget, it will stay impressed in your skin forever. In particuar i'm doing the Alternative Mode in which basically the avg level of bosses skyrockets, compared to standard mode... i can only say that such challenge is not supposed to be handled by humans, i'm trying my best and at least 2 years have passed since i started, but i'm quite close to its end. I can say with serenity that this will be hardest challenge i'll ever do for the rest of my life.

Ok, well actually aside the CTR, all the other "<this> through <that>" are not anywhere, i just calculate them, in the same way you can calculate the CTR.

When i say 25% of view turns into browser plays is because in the same time range analytics told me that 

y (browser plays) / x (views) = 25% (views are 4 times the browser plays)

same reasoning for any other metric i named, aside the ones actually displayed from itch... but that you can calculate from itch metrics 

Hi i was wondering about what are some good ratios... i heard about which one is a good CTR ratio... 

But what about view through download or view through browser plays? Lately i put the web version to my game The Rogue of Nexus, and according to the latest analytics, the ratio says that 25% of views also play the web version... which ratio is good? (it's surely better than download, maybe 8 times better).

Are Brower plays  counted only once for each user?

After Web play/download, which one is supposed to be the next step? rate, comments or add to collection?

Is there a play through rate or a play through comment ratio good value?

Mhh... assuming this is compliant with the rules, how can those replies be towards a post of yours, if this is the first and only one of your account? :3

You're welcome!

Aww, too bad for the Mac... in the page of the game you can find the downloads, but at the moment there's no plan for Mac versions...

Ok, about battles against potions, this is what happens: the length of the battle screens of potions is very long (more than 10 times longer than average, or something), the potion keeps running away in that direction, until it will eventually reach the right edge and will successfully escape. That gives you enough room to chasing them, assuming your speed is enough to even attempt (without boosts it's impossible for minion potions). If the potion gets out of your sight, it's still in battle, it dindn't run away yet (it will be pretty clear when that happens)... anyway probably that will mean that you have no chance to reaching them, so it's more convenient to retreat.

Aha, i see! I'm glad i can be part of your practicing, i'll take a look to your profile

As soon as i have a web version update i'll let you know! A video recording would be gold: watching a player, a developer can grasp details about their behavior that cannot be turned into words, and actually several information that the player wouldn't even be aware about as well

Thanks again!

- Ok, it should be Adventure mode;

- Artifacts can be found only by opening treasure chests, and are announced with a huge box UI entitled "Artifact Found!"; any other thing you can find in the ground of a dungeon are consumables (potion, bomb, time rune, key) and currency (4 colour type coins, gems and dark matter);

- Yeah, i noticed that people is not paying much attention to the compass in worldmap so i'm currently boosting a lot the UI in order to make sure a player will be bound to notice it.

- I see, i'll consider a button to enlarge/shrink the dungeon minimap, thanks!

- Ok, coins can be used to shop consumables in cities, or they can be used in the inventory to upgrade your weapons;

- I think i got what it happened here... there's a flaw in the resolution of WegGL version that won't show up the boundaries of a battle screen, that means that you won't see the UI that shows you/the enemies can escape from battle when crossing that red line:

In the downloaded version it can be seen, maybe even the current web version, at full screen should be able to show that line on the screen;

- Ok, the spinning needle in worldmap only refers to worldmap position, there's no connection to your position, while inside a dungeon;

- So, about the "black artifacts", in the screenshot i noticed only those 2 things:

  this is the "enter city" icon, and clicking it will open the city UI;

  those instead are dark stains, they appear and enlarge when you pass through a tile in worldmap, if you pass through the same tile more that x times, after y time has passed... something will happen;

If you're talking about anything else, related to that screenshot, then i have no idea what you're talking about @_@;

- Yes they give exp and coins and potentially they can make you level up, though it's quite unprobable... for example in a lv1 dungeon, enemies give 2 XP; the dungeon boss gives 20 XP; the treasure chest gives 200 (or 250, i don't remember) XP, this is what i mean when i say it heavily depends on treasures gaining XP. To level up from lv 1 to level 2 you need 300 XP. In Adventure mode the XP gain is 3x and artifact chests is 6x;

I'm definitely glad if you provide further QA in future! While you say it's free, you still call it offer... why? I mean, i don't think it exists any developer who would reject a free offer of testing, especially when it's quite detailed, unless i'm missing any implication.

The way you write your feedback seems professional and seems to follow a sort of template... could it be you're practicing to become an actual professional QA tester? 

Hi William! Wow, thanks for the long feedback!!

First of all i'd like to ask you 3 questions:

1 - Did you choose Adventure Mode or Campaign Mode?

2 - How many artifacts did you found?

3 - Did you reach the end of the demo?

To answer your feedback:

- The Compass Shield is both for Finding Artifacts in worldmap, Special move in dungeon (damage/destroy, exploration, speed and invincibility) and a skillset in battle, so it's a multiuse powerful tool. You mentioned later that the multifunction might confuse the player, would you suggest some extra info for the player? The functions of the Compass Shield are mentioned in its tutorial;

- Actually in dungeon in the box in the bottomright there's a UI dedicated to show the minimap of the current dungeon floor... since in The Binding of Isaac there was no explicit text that would say the UI is a minimap, i thought that maybe it was enough to get the player aware of its existence, but you're not the first one not noticing that, probably i'm gonna boost that UI (and many others), i wonder if making pulsate the white color of the current room could be enough...

- Do you think the current currency UI is hard to notice? Not sure i understood the one about finding the right shield, the wall destroy scene triggers by moving forward it, after finding the Compass Shield;

- When you mentioned purple boxes and pink squares, did you refer to the same thing? Those blocks are the so called Obstacles in dungeon, you and enemies cannot pass through them but you can destroy them (aside few exceptions) by hitting them with a bomb or the Shield Bash skill. Doing that will destroy them and there's a chance they drop a random loot;

- By flower tiles you mean this one?

This one is a trap (a sort of mud pool), which slows you down when you step on it. I wonder if there could be a way to make it perceive more like mud...

- Red balls enemies should be the Potion-type enemy, they are very fast enemies which will always try to run away from you, on the other hand if you manage to defeat them in battle, you'll get an extra prize. Potion minions are too fast but are optional, the boss versions can actually be defeated, but it requires a bit of strategy. Technically if you cannot reach them, you can still escape from the left side of the screen so the battle will end sooner, but i'm planning to enforce their early escape from battle in case they become too distant from the player, without waiting they reach the right edge of the battle screen, by the way. By locked in a loop, you meant that you were stuck in dungeon in a spot in which it was impossible to avoid the potion? Technically if you have the Compass Shield, there's should always be a wayout;

- Could you elaborate further on the West -> East feedback, please? Not sure if i undertood what you meant... maybe that when you exit a dungeon, the needle direction is inconsistent, compared to the actual position of the next artifact?

- I didn't get what you meant by Black Artifacts... maybe the stains of darkness that appear where you walk? Or the eyes and mouths that spawn during the night?

- About the experience, at the current state the weight of exp gain is strongly pushed toward Treasures and Quests, while the exp gain by monster defeat is quite low and might not be perceived... should i distribute the exp budget more on favor of monster defeat? (the core source should still be Treasure and Quests) Or maybe it's enough increase the exp gain feedback, like some particle effect or a UI display, next to the exp bar?

- The Demo barely scratches the surface of the game, actually the game already features dungeons with several floors, in the next areas, in certain biomes (if you find the artifact that allows you to walk through forest tiles, forest dungeons have 2 floors). Not reccomended, but also dark dungeons have 2+ floors;

- There are the silver keys, not sure what you mean about the red one, though;

- Thanks again for the feedback, without any doubt i'll collect those feedbacks to enhance further the game! I'd definitely love to hear more feedbacks from you in feature, especially after i release new updates;

- There's only one way to know more answers about The Hand: playing further! (I'm quite confident you'll inevitably "meet" it, according to luck, skill, game mode and duration of the run)

Finally i managed to make a web version of my game's demo, The Rogue of Nexus!

https://powerupteam.itch.io/the-rogue-of-nexus

I'd like to hear any feedback on the web version, since it's the first web version release.

I heard that on Itch is way more popular the web game format, it was quite tough to make it work but i found a solution in the end

Well, i worked so far with a small publisher for some year (PowerUp team), although probably such experience is far from professional videogame industry interactions among game devs and big publishers.

It's not a short answer, but i'm writing episodes of my experience with them about my game The Rogue of Nexus.

It's possile to read the first parts of it in my Devlog in the devlog page 

If you're checking the game on my profile, that doesn't count (it's a test page i used to check if the WebGL version was working: if i had to keep asking them to upload, check, upload check until it worked, it would have taken the eternity... obviously my test page on my profile will never become public).

i'm talking about the actual page of PowerUp Team (my publisher)

https://powerupteam.itch.io/the-rogue-of-nexus (it's under change as we speak right now, since we're trying to setup the web version)

It doesn't mean another 80+ days as unindexed, right?

...And here we are, deindexed again.

We updated The Rogue of Nexus 4 days ago and appeareantly that's the trigger?

I even planned to update tomorrow the page with a finally working web version of the game (took ages to make it work), but i was counting on the fact that 11 days ago the game was finally reindexed... this is not cool.

The Rogue of Nexus

https://powerupteam.itch.io/the-rogue-of-nexus

Hi!  Here i am, i can finally proceed with the making of The Rogue of Nexus. (part 2)

Very well, so i shown the mock up to my boss and he liked it, reccomendations aside.

Time to start with developement, right? Nope.

That could be a thing on solo developement and/or making a game as hobby, but i'm not alone, and allies aside, there's a budget to validate and approve, which is provided from above, and the guys above need to know how that money will be spent (more precisely which tasks will be performed, which assets will be created and how much they cost) and more importantly how time will be spent, in order to meet deadline.

This "wonderful" phase is called Pre-Production and, while success cannot be determined just by that, a poormade pre-production will grant a hullova of problems and probably the failure of a paid project as well.

One of the previous projects i joined, a year after it's developement start, i think it suffered heavily this issue: the producer changed 1-2 times and the GDD changed a couple of times as well, i had to rewrite it on my own... the biggest issue is that the production and developement never communicated clearly on the goal to achieve and milestones to follow, so i basically tried to make a huge GDD, when problems started to come, the game had to be launched quite suddenly and in the mean time it was impossible to meet the expectation of the GDD, since the scope of the game shrank drammatically. The product has been launched with severe flaws and some of them still lurk in the shadow... 

Please plan pre-production if you can.

The name of the phase strongly implies that a producer should deal with that, i'm a producer? No.

The producer of the italian team Studio Evil once taught at us (it was a game design course) that a Game Designer should never be a Producer at the same time (and vice-versa), i can agree with that: basically a Game Designer would want to build an incredible universe in its game; the Producer is there to remember that the team has X budget and Y time, so probably that universe is bound to become a bit/much less incredible that  Game Designer's best scenario. Basically they are like the Hero and the Villain... there's a clear conflict of interest here.

However i personally think that it's quite important for a game designer to learn that stuff, even in case it will never happen to do that... both for gaining a bit of common sense and also because a game designer needs to know the gist of all developement processes, even to interact better with the whole team.

Well actually it's not like i was going to go through the whole process here, some week later a producer would join the project and provide a lot of help, in any case if you're the author of the game, then only you is aware of what the game is supposed to contain and (hopefully) the implications, namely the concrete effort and the list of assets to assemble the whole thing, so you must be aware of what they will cost, in all means.

My boss shared some info in how to do that, so i practiced a bit. 

Here's a quick list of stuff i use in the meantime:

- Google Drive for store the documents of the project, which are destined to become a lot;

- Google docs (mostly for the equivalent of Word and Excel);

- Notepad, can't be more simple than that for writing quickly some text, planning stuff and listing ideas;

- Paint, i don't think a game designer necessarily needs more than that for a mockup or slap references quickly, keep it simple at this stage of developement.

What i need here is the Excel-like sheet, you need to line up assets, number costs and time cost, and other stuff.

This is what i came up with as first attempt:

Well, i mashed up the 3 sheets of the doc to fit in one image, but basically it features:

1 - The costs of the core, namely the essential part of the game, that cannot be cut in subsets of the whole part,  like core gimmicks, the main character, darkness etc;

2 - The costs for each area, stuff that increase of number as the number of areas of the game increase, like x objects or y enemies... they are supposed to amount to the same value, so if making an area costs Z, then making 10 areas should cost Z * 10;

3 - Overall costs recap, this sums up the whole cost and can esily show how the costs scales according to the cuts or extra contents to the previous sheets, make sure to let the sheets use the formula to sum, multiply and all that jazz, and more importatly to make them talk with the third sheet.

This document must be quite readable, each line is supposed to describe what are you talking about, so the subject (an asset, a gimmick, a whole block of tasks), a brief description, the quantity, the cost and the total.

You show this to the publisher, maybe you'll do it much more professional than this, but that's the juice, and at the end of the story what they actually care is the last sheet, which in other words tells if costs vs budget are ok.

If you checked the content of the sheet, you might have realized that here we're talking just of costs in terms of time, after all it's useless to detail on money if you can't even balance the costs in term of time.

My budget in terms of time, technically speaking ammounted to 6 months, raw math says that even assuming you work like a machine, that equals to 180 days.

If you remember what i said in the previous part of this flashback, then you know i talked about making 10 areas... according to that sheet that's plain impossible, the numbers talks clearly: Even if text and numbers don't match, technically that was the cost of 4 areas and it did amount to more or less 515 days.

The core alone was too big already... it's time to make cuts to contents, lower the amount of areas and also receive a hand: (not The Hand!) i cannot do everything alone, starting from pixel art, but such truth was known already and i already talked about that with my boss: the developement team of The Rogue of Nexus is about to recruit members.

That was more or less the first week of pre-production, but obviously it doesn't end here... but we'll stop here for now. The next part will tell more about what happened then. Stay tuned!

Released the latest update (1.1.2 version and 0.5.7 demo version)

A new, faster game mode is available: Adventure Mode or Campaign Mode? Choose your own style!

Several extra UI/UX polishing as well to enhance further the gameplay.

The latest update has taken into account several feedbacks i gathered from players (included you guys!) and i'm confident they helped a lot with the interaction with the tricky gimmicks of the game!

Now, this is a quite important period to iterate on your feedbacks, in order to confirm that such improvements proven effective.

I'm also ready to trade feedbacks for feedbacks on our games, if you're a developer: that will help each other in improve our game 

Great, thanks!

Ok, so today i tried to type "The Rogue of Nexus" in the search for games, jams, tags or creators  search bar and i found my game there, as first result.

Does that mean that it's finally indexed?

Probably that kind of mysterious guy who appearently has no active role in the whole story but seems to know a lot of stuff and mostly observes what happens and maybe providing 1 or few other times some particular info or insight to the hero about lore and ancient knowledge in some very specific point of the game... and probably is know by almost no one except maybe another 1-2 big entities of that story