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Demo #4: Wings of Starlight

I went full Eric Whitacre with this one. Hard to tell at times but this is entirely choir from Spitfire Audio’s LABS Eric Whitacre library. Basic editing, sound design and mixing were done.

Great for game cut-scenes, atmospheric intros, or a peaceful credit roll!

Demo #3- "Grasslands." Standard "Level 1/Home Area" demo for small RPG/Platform/Flash games: https://soundcloud.com/finalimpactstudios/demo-grasslands

Demo #2 - "Night." This is an ambiance/atmospheric track I just finished up for a Skyrim Mod currently in development: https://soundcloud.com/finalimpactstudios/night

Demo #1 - Horror theme with some binaural elements (headphones recommended): https://soundcloud.com/finalimpactstudios/spirit-waltz-binaural-elements-headpho...

Hey guys! My name is Sean, founder and owner of Final Impact Studios. I'm currently a college student audio producer who's always looking for projects to join and contribute to. I'm a composer, sound designer, foley artist, and can also work in the growing demand for binaural/3D/VR audio! 

You can hear some demos on my soundcloud and YouTube channels below:

SC: https://soundcloud.com/finalimpactstudios

YT: https://www.youtube.com/channel/UC-v1t30TVl6O75ZPainRzPw?view_as=subscriber

If you have any questions please contact me here or send me an email at finalimpactstudios@gmail.com

Thank you!

~Sean C.

~Final Impact Studios™

Hey Pitch Black!

Binaural audio is a fantastic element to put into games. I'm still learning about it myself and researching plugins/production techniques to create binaural sound design elements. Unfortunately the mic to record that type of signal is $600...one day. 

Anyways, I'll keep my eye on this thread and will post anything I find to help answer this question and any other useful information anyone else may be looking for. 

If anyone out there is more experienced than we are please help us out! :)

~Sean

Sounds good! If anything, the instrument playing on "and-two, and-four" sounds static when layered in the climax of the song. Could just be the sample used.

It helps if you subdivide it, one-and-two-and-three-and-four. The trick is that the backing is playing on "and-two, and-four" giving a waltz feel underneath a 4/4 meter.  

Hi there! 

I'm a composer/sound designer as well. You can listen to a few of my demos here: https://soundcloud.com/finalimpactstudios

Here's my email: finalimpacstudios@gmail.com

Please email me with any information or questions you may have. I'd love to work with you!

Thank you!

~Sean

~Final Impact Studios~

New track! 

This demonstrates a more ethereal/atmospheric genre: 

Hi Raymond! I'm a Composer/Sound Designer and would love to talk about any projects you have coming up. Feel free to email me any time at finalimpactstudios@gmail.com

Thank you!

I would love to help out as a sound designer. I love creating those types of sounds, especially horror ambiance! I'll send you an email.

Hi team! My name is Sean, creator of Final Impact Studios. I compose and produce music suited for Films, Video Games, and Media trailers. So whether you're looking for music for your next game launch or a few seconds of ear catching themes to advertise your content I have you covered! I specialize in ambient, horror, heroic/fantasy, and ethereal world instrumentation. In terms of sound design I'm decent in pads or ambient style sounds. 

You can listen to a few demos on my SoundCloud: https://soundcloud.com/finalimpactstudios

Please email me if you're interested in working together, my email is finalimpactstudios@gmail.com

Pricing is negotiable and depending on what you're looking for could even be completely free. We can discuss that further through emails, however. 

Thanks for your time!

~Sean C.

~Final Impact Studios~