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John D. Moore

A member registered Jun 17, 2014 · View creator page →

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I'm typically a solo dev, but I may be releasing a game soon where I arrange with a musician to  write music for my game in exchange for a percentage of whatever income I make from the game. I was wondering if anyone had any tips for best practices for splitting revenue from itch sales? I've looked and haven't been able to come up with any guidance on this issue, which I expect is fairly common.

I've seen a lot of topics where people suggest itch set up a way to automatically split revenue with other itch accounts, but it doesn't seem like that'll be happening any time soon. So I thought I'd ask 

Thank you! There should be a pause button—ENTER or a keyboard or START (default setting) on a controller should pause.  I just checked and it seems to be working on my PC. If that's not working for you, let me know and I'll see if I can get a bugfix out. 

Thank you!

Oh my god, it's so good.

Thank you so much!

Love this! Thanks for making it.

This game is incredible. Thank you for it.

I would do some beta testing!

I am very proud of and to be a part of this. I would like to submit my game Explobers.

Was looking forward to this, but am of course intensely interested in whatever you're doing next! 

As usual, these tracks all rule. I've used your music before and it really elevated my project. I have a project I'd like to talk to you about once it gets further in development and I have a better sense of scale and where it's going!

Thanks so much! I'm glad you enjoyed the game--I really enjoyed your music! Much appreciate, and you can probably expect you'll be hearing yourself in my games again.

Ah, thank you so much!! It's a mild spoiler, but yes, all paths lead to the same ultimate ending, though there's a decent amount of branching on the way there based on the conversations you have and who dies in combat when.

I really want to play with the integration of VN-type narratives with action sequences like this more! I haven't hit on the right idea quite yet, though!

Thanks a ton! Hope you enjoy!

"Ghosts in the Shortwave" by Heather Flowers is an incredibly short narrative platformer. I played it a few months ago and have returned to it a couple times and thought about it a lot. I don't really want to say too much more about it. This game is beautiful.

Given your love of vintage platforming, I think you might be interested in a couple of my games (since I mostly make platformers), but I'd especially suggest you try out my game Explobers

やば~い! すごく楽しかった!さらに、超きれい!


No problem! I was playing 1.02 on Windows 10. Was playing with a gamepad. I can't remember exactly which room I was in, but I *think* it is whichever room is directly  to the left of the crumbling block puzzle where there are four coins inside a square of red crumbling blocks.

This is fabulous! I love how dense the levels are and some of the platforming challenges are really ingenious. 

It crashed (or at least surprise quit) on me for no apparent reason just as I was nearing 40 coins. I will be back to play more after saving works! 

Thanks for the feedback! I hope to be adding mouse controls soon. That was a serious oversight on my part.

I enjoyed this! It's a really cool riff on Zelda II in a lot of ways. I actually quite like how the island is absent of enemies in this version. I'd love to see a further exploration of the ideas you're playing with in a future game--maybe one that doesn't require such a particular order of item acquisition and rewards more kinds of exploring. Really dig the ideas you're working with and Guan himself is a pretty neat character.

Hi! I'll put the TL;DR up front: I'd love it if there was a way to offer HTML5 versions of games as equal alternatives to downloadable distrubtions on game pages while still displaying the traditional downloadble game-style itch page.

I really like the way that itch displays pages for non-HTML5 games. I like the text right up top and screenshots on the sidebar. That's the presentation I would want for my games whether they're available as downloads or in-browser HTML5 distributions. For example, my game Temple of the Wumpus is available as a download, and  I also have an HTML5 version that I've uploaded as well, but itch doesn't seem to offer a convenient way to present the game as available both ways without changing the parts of the presentation I like and making the downloadable package seem secondary to the browser version.

If I want the game to be available as an HTML5 game, the presentation changes completely. The screenshots disappear. All the page content is pushed down off the top of the page to underneath the embedded game. I like this presentation a lot less.

What I'd love is a way to make it so that when you get to the section of the page where the game is available for download, threre's also a section with a button that allows you to play the game in a browser, on a dedicated page that might look a lot like itch's current pages for HTML5 games.

I've come up with a sort of workaround where I link to the HTML5 files through an "/embed-upload/" path on itch's site, but that is not quite my ideal. An alternative, of course, would be to create separate HTML5 and downloadable pages (J. Kyle Pittman did that for You Have to Win the Game), but I'd rather not clutter up both my profile page and itch's search results with duplicate entries for my games.

Thanks for reading this! I understand this is asking a lot and would hardly take precedence over some more pressing features I know the itch team is working on. I'm also not sure how widespread support would be for this idea. Itch is a great platform and I love it and I appreciate how much work goes into making it run as wonderfully and cleanly as it does.

I love so much about this game, but right now I feel like making special mention of how happy it made me that Kitty is a little tuxedo cat.

But truly, this game made a profound impression on me. Thank you for this.

Vector thrust... 

(this rules)

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It is the year 231 of the Frontier Era.

A nine-year space war continues to rage between two mighty powers in the Earth sphere, conducted largely by heavily armed mechanized suits in space battles. 

Eighteen-year-old Wick Palmer joins the small crew of the spaceship Nauvoo to take control of the Orbital Federated States' most advanced mech. Guarding a remote point in the solar system, the quiet the team has enjoyed cannot hold for long.

Guide Wick as he forges relationships with his teammates, fights off enemies, and questions his place in a war that never ends.

Orbital Paladin Melchior Y is available for download now.

I am Froglord! (this rules)

Hey! I really dig what you're doing here (I like that part of the game feels like it's a bit of a Zelda II riff, with the downthrusts and upthrusts and some of the gel-like enemies). Yet the speed, structure, and aesthetic give the game feel a really strong and independent identity. I like it, and can't wait to play whatever iterations of this game/concept come after!

A handful of thoughts:

1. I think the contrast between the brick background and (especially) the disappearing platforms could stand to be increased, probably by darkening the background. 

2. In the stage entitled "As Above, So Below" the jump onto the thin platform in the middle of the room felt unreliable. That is to say, it was hard for me to predict whether I was going to make the jump successfully or not, and it was hard to tell what exactly I was doing that separated a successful jump from an unsuccessful jump (in all cases, it felt to me like I was doing more or less the same thing). 

3. The way collision looks, it often seems like my character dies before they come in contact with the harmful object. The hit detection may be a bit too punishing but it also might be smoothed over by the game waiting a part of a second to let me see my failure before restarting the stage.

4. If the projectile-shooters offered even the tiniest bit of animation to signal they were about to fire, I think that'd be neat!

I haven't quite finished the game. I may share more thoughts after I do! Good luck with your ongoing development. This is neat! 

I've just released MONSTER HUG, a cute, short platformer about going up to monsters and giving them hugs.

The game has five unique monsters in different environments. Watch the behavior of each one to know when to approach and hug!

This new riff on an arcade classic is a frenzied, asymmetric two-player head-to-head clash: one of you's the Earth and one of you's the Invaders! It also includes a single-player score-attack arcade mode.

Available now as a free download!

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Does it take a certain amount of time to show up in the "newest games" and the search engine? I seem to remember my previous projects showing up in these immediately, but I published my game Aaargh! Condor about 4 hours ago, and I don't see it when browsing the listing of newest games or when I search for it.

EDIT: Update. Now, another hour later, it appears in searches but still doesn't appear in "Recently Added."

A remake of a 1983 Commodore 64 classic by Alan G. Osborne, AAARGH! CONDOR gives you three heroes who need to plunge a spear into the heart of a giant condor to save would-be sacrifices. With each new rescuee, the game gets harder with new obstacles and more difficult enemies.

Thank you for your kind words! (And the typo alert--fixed!) For whatever it's worth, I was very interested in avoiding straight answers to things in this game, and was very conscious about the fact that I could only expect players to probably read 25-60% of the text in the game. 

I initially was going to have the sign next to the koi pond say "Don't punch the koi" but found it a bit too tonally jarring, perhaps, for the uninitiated. Maybe I should've gone with my first instinct though.

SUPER SPOILER: This game is set in the same world as Koi Puncher MMXVIII, and there are several other textual and visual references to that fact. 

I really love this. 

SPOILERS: Once I'd gotten the ultimate, ultimate ending (at least, I believe it's the ultimate good ending you can get), I wanted to go back and get each ending for each screen to see exactly what you'd written, but it hurt my heart a little to do that to the poor Wumpus each time.  I really appreciate the progression of what you know in each screen and how that's reflected in the text you see.

Well written and ingeniously structured! Thanks for this game!

If you don't finish your game in time for the end of the jam in a few hours, please let me know! I know some people have bitten off pretty intense projects, and I'd love for them to still be connected to the jam. So if you finish your game too late, please contact me , and I'll try to reopen submissions to accommodate your game. I'd leave submissions open after the submission deadline, but I don't see a way to do that.

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As someone who can more or less competently handle programming and design and graphics and can work sound effects generators well enough to get what I want, the one thing that keeps my games from being complete solo projects is music. For a long time, I was just leaving music out of my games. Starting this year, I've released three projects with CC-0 or CC-BY-3.0  licenses for music*. It's elevated the feeling of polish on my projects a lot, I think, and contributes to a more complete experience, allowing me to make games that connect on additional levels. 

As much as I'd love to work with musicians to compose for my projects, I don't like reaching out to people to ask them to do music for my projects for free since I value the work they do. But since my games are hobbyist passion projects and literally have no budget and are all released as free (and especially since splitting ad revenue or tips can get messy, no matter how meager it can be inevitably is), I really can't afford to pay anyone. I try to feature the names of the artists I use prominently. 

I get a little nervous that the songs I use will end up being used in a lot of projects and if a player recognizes a track from another game may find that disorienting or tacky, but so many people make so much neat stuff that I find carefully selecting OGA music can really contribute to the identity and mood of my games.

I'm really grateful to the artists who make this stuff available to use freely, and I've been thinking that I'd like to develop some graphical asset packs so I can give something back to the community.

*These games are Temple of the Wumpus, Liz & Laz Episode 1: The Control Cubes, and Koi Puncher MMXVIII.

EDIT: Sorry for the old thread bump! Didn't realize how old it was. But it's a topic of perennial interest!

Whoa! This feels so cool. I love really studying the behavior of these boxes, really scrutinizing every little move. It's kind of addicting!

Ah! Thank you so much for the kind words! I'm glad you had something that sounds like the experience I hoped people would have with it!

I love how this looks, feels, and sounds. Genuinely, I found myself just enjoying flying around, soaking in the atmosphere. With the 1-bit dithering effects, it feels somewhere between a grainy old Hollywood movie and a number of Bermuda Triangle entertainment documentaries I watched in the 90s, which is just fabulous.

I haven't actually found the Wumpus yet, but I'm gonna search again when I get home tonight!

The game is perfectly playable as it is now, but the game will be receiving a small update tonight or tomorrow with a couple of typos/text spacing issues fixed. I may also slip in a small other thing or two.