Is supernice, even tho is not much happening instrumental wise it doesnt get stale imo, and those dune type beat drum fills at the end surly cought me off-guard. One of the best subs in here, verygj.

I also used supermassive.

I used Neoverb and supermassive to give things a near reverb and a far reverb. Initially I had them both on the same track, but when I split them and had them on separate tracks with each track on a send to them, it became way clearer, more lush and realistic. 

I feel like some spots in this get a little bit murky although it's overall pretty good, and this is exactly how I dealt with that on my track. This way, neither reverb was doing too much of the overall work, nor were they muddying each other up, and when Neoverb started to fad, supermassive would come in.

I actually made supermassive much louder on some instruments than others.

Another big thing about reverb is that you want each element to have its own delay to the reverb track.

Regardless, you've made a nice submission. Nicely done! :)

Wow, this one is on my my favorites for sure!
Very tight mix and very cinematic / cult movie vibe!

Amazing sub, take care :3

This is fantastic. A really solid demonstration on a good balance of cinematic / anthematic scoring with ambient work.

The only feedback I have is the drum stings near the end sound a bit blown in. Meaning their should have either their mids are really flat in the mix and it makes them sound a little distorted and saturated. Finding the right dynamic to shave off any clipping can be a super long process. Think of a limiter like an instant compression. Zero attack time, meaning zero room to wiggle around and work with any frequency changes that are going to effect the actual track / instrument. It won't go red or appear like it's clipping, but in the mix and to some ears it's going to come across as over the dB threshhold of the rest of the tracks, especially in ambient work and the creation of ambience. It's better to find a chain that allows you to maintain a high end so your mids don't entirely take over when compression tries to compensate by boosting mids to squish the low ends. It ends up creating a sort of opposite effect.

But this is fantastic, one of my favorites in the jam. 

You went full Blade Runner on this one, all the synt pads, giant reverb, even the big taikos ! Very cool atmosphere :)

That’s some brass sound, if I ever heard one. Quite literally :D.

Simply love your created brass synth sound. Your composition is simple but elegant. Just those brassy pads, a deep drone and some Kalimba like melody that paints a beautiful vista. Though I have to say it felt a bit samey. Tonally there was some buildup and change and at the end you even established some additional instruments. But I think it needed something more. Maybe having the drone changing gear and shifting it a fifth up or down and creating a more dynamic by letting those Horns roar would have kicked that changeup into a well deserved climax. Or even adding the fuller orchestral sound of the BBC Discovery for the emotional finale.

While my critique might sound a bit nagging, I need to emphasise, that you did a quite solid job and the simplicity of it was genuinely great. My critique here is just to point out what would have made it excellent in my view. So keep it up and hopefully let us see more what you’re able to do in those jams!

I like it! Everything is mixed well I think, comes together well as a whole, nothing seemed like it was sticking out or out of balance. Works really well for the theme, and nice job using the whole 6 minutes lol.