Wow, so cool to see your thought process playing the game. Thank you for posting 🤍
KRITIQAL
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I enjoyed how uncomfortable this gallery was. I can imagine a version of this game that is just about messing with the art until you find something you like, but I’m much more intrigued by this slightly hostile variant. It speaks to an anxiety I feel in a lot of real world galleries, where the space seems to consume the art inside it.
This was really interesting. The note about everything getting consolidated in Discords and Twitter threads in particular is something I’ve been thinking about and am similarly concerned by. Just trying to get my own forgotten game working has emphasized how ephemeral videogames can be if they don’t make it into the preservation canon. Thanks for submitting!
This is a magical thing. There's such a quiet longing in each poem. I feel like I'm part of a romance even if I don't know with who or what. I was uncertain about the text-to-speech initially but the longer I played the more it felt entwined with the sense of belonging but still being outside. That's a nonsense statement, maybe; this factory sitting in a wasteland, remembering some connection, reflecting on its absurd existence - there's a deep sadness here for me, like whoever's talking is only ever being heard in half measures. I love it, I love the bizarre humor mixed with moments of profound introspection, it's unlike anything I've played. I need to spend more time with it to feel as if I actually understand it, but the 1 & 1/2 playthroughs I did (accidentally ended it earlier the first time) were wonderful.
Wow, I really loved this. It reminded me of having anxiety attacks as a child ("meltdowns," my mom would say), where I would latch on certain images and just have a sensory overload. I know that's a weird way to compliment a game, but it's not a part of my childhood I think of much and being able to revisit / recontextualize it as temporary and abstract meant a lot. Love the use of mixed media and the GeoCities-esq train especially. I hope the hook person is alright in the end.
I love how everything looks like it's melting or on fire. The elevator motif really worked for me as an abstract "the world ceases to exist while you are in this box" kinda thing. I didn't care for how the characters talk like they're 4chan posters. I'm not sure if I missed some subtext but it seemed like an odd choice. Otherwise enjoyed it, I appreciate that I was never quite sure if I was breaking the game or playing as intended. It felt appropriate.
Adore so much about this. I'm from the states so not at all familiar with ceefax, but now I'm fascinated to research more into it as a precursor to the 24h news cycle. The recreation of an 80s digital interface is on point, I'm hugely envious (I've done some projects trying to do something similar and this is just so slick).
Thank you so much! I changed the viewport a little so hopefully they won't cover them up anymore, but it might just be a weird screensize thing. I wanted this to be simple so I'd actually finish it in time for the jam, but I'm super excited to try more branching/mechanical stuff in future games. So glad you liked it!