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(+2)

Well, first of all congratulations on another successful releaase. It's been a long time since I started following this story and I'm always excited to see more of it come to life. It has been quite a ride and lots of changes have made it into the game, I'm sure you and your team have seen even more changes come around.

My questions are as follows

1) What has been the most surprisising thing you have found during your research on Myths and the cultures they exist in?


2) When it comes to our band of strange but relatable characters, who did the MinoHotel team not expect to be as much of a hit as they did?


3) This one is mostly for the fun of it, but if at some point someone did a whole musical in the style of Epic or Hamilton, how do you think it would go? Any bets on the lead singer?

Thank you for all the time and effort you have put into this tale, it has been a joy to read it and my husband has heard me go wild about it on more than one occasion. It has been a bright light in a considerably heavy decade and I'm glad to see it growing still. May fortune favor you all in your endeavors

(5 edits) (+2)

KangaRube here:

1

"Surprising"... hum... To give one particular thing, something that actually surprised me is finding out through researching for Khenbish that apparently there is a really big opera culture in Mongolia. In the Soviet era, the Soviets just kind of thought "oh, you guys already have a culture of mannered singing to be heard over great distances... we'll build opera houses here." And it took off in popularity, with the Ulaanbaatar opera house putting on both the usual repertoire, but also some major Mongolian operas, based on their own history/stories/mythology. It was just something that made me go "Huh? What?"

Perhaps more significantly, there is something that I am not sure exactly how to articulate--- something like that the ancient sources from which we draw really are "that good", that modernized retellings (even good modernizations that are worthwhile in themselves) never really hold a candle to the depth of passion and vision in those ancient originals; they are more often than not more complex and more accessible than one might at first think. "We are merely standing on the shoulders of giants", etc. That is why I have said a few times that if Minotaur Hotel inspires some people to pick up a few translations of Sappho, a copy of Homer's Iliad, Hesiod's Theogony, etc--- that would be Mission Accomplished to me. Haha.

2

Probably Greta? Some people sort of honing in on her and making fanart or memes of her, even if it is just for the lulz, still makes me chortle. But most of all, I just find it kind of sweet that it seems everybody is somebody's favourite. 

3

 Regarding the third question, a long while back, I actually had thought about this in the context of opera, and thought of a few singers for various characters. For Asterion, I assigned the basso John Tomlinson. Here is a good example in English of his singing, the first bit of "Wondrous Machine" by Henry Purcell at 5:03 of this video: 

(although a guy speaks over some of it and it fades out. For some reason the video of JUST his performance is no longer available on youtube(?!?!?!), so this will have to do for now...)

Tomlinson just has a great warmth and sensitivity, as well as dramatic intensity; he even also has experience playing a minotaur in the Harrison Birtwistle opera.

With the help of a time machine, too, I would probably cast someone like tenor Franco Corelli as Luke--- just this big brash pushy kind of voice. 

... Or maybe Ramon Vinay, a personal favourite tenor, who is more dark/dramatic. Or maybe Vinay would be a better Pedro (who also should be a tenor).

As for the others, I only thought so far as voicetypes. Argos would also be a tenor. Kota, Storm, and Khenbish probably baritones. Themba is another bass. And the cobalts all altos/countertenors. Greta a coloratura soprano, of course (Reri Grist, perhaps?). And maybe resurrect Maria Callas for Piedade, the Colonel's Widow.

I would kind of hope for something composed kind of chamber-opera-y, maybe invoking really early opera things to make it feel especially "ancient" in tone, combined with more modern elements. Employ 12-tone-rows for big scary moments, have a fair number of uncommon instruments to show the bringing together of various guys across the globe. 

(+1)
1) What has been the most surprisising thing you have found during your research on Myths and the cultures they exist in?

That Aphrodite is a Kyprian deity much older than the Greek pantheon, associated with the sea and fertility, which completely recontextualized her origins to me.

Mythologically she was born from Uranus amputated genitals, a deed accomplished by his son and father of the Olympians, Chronus. But then this puts Aphrodite as preceding the entirety of the Greek pantheon -- and that makes sense with the archeology! In fact, it seems that Poseidon's domain over the sea is a later development, as originally that fell on Aphrodite.

I think that is really interesting.

2) When it comes to our band of strange but relatable characters, who did the MinoHotel team not expect to be as much of a hit as they did?

I did not expect Nikos to be as favored as he is. We originally hoped it'd be a 50/50 split between him and Pedro but in truth Nikos is one of the most beloved characters in the game, period.

And thank you. I'll sing you this and another song.