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(2 edits) (+1)

thanks for so much detail in your criticism! Yeah my whole mastering was just frequency division and maximus compressors with different presets on some inserts and master. I'll try to also play around with gain in chorus parts as you recommended in later tracks, I just wish I'd be able to figure everything out with that thing. Also about text, I'll definitely make it more compact tomorrow, but rn I'm just falling asleep as I type so gn and thanks again!!

P.S. about compressing or limiting too much, I don't think that's the case in my recent tracks anymore since without limiter and compressor they still almost don't reach the 0dB limit throughout the track.

(+1)

well it depends a bit. While compression and limiting are technically the same thing, they do get used differently. Compressing a signal means you add volume while compressing the dynamics over a certain threshold. So for example everything other 36 db gets compressed by a ratio of 1:4 meaning for every 4db over the threshold of 36db it only gets 1db louder (so for example instead of 40db it will be 37db).

Limiting is making something quittier over a certain threshold so it won’t get as loud. While brickwall limiting says it can‘t get louder.

So compression does not really have to do with the target db of your output. Generally a glue compressor should only compress the siglnal between 1-4 db. If you need higher compression, I’d recommend using a compressor in parallel, like an affect bus before the master. Just question every track into this, except the percussions and drums and squash that thing as hard you like. Then dial in the volume of that effect bus to taste. This will get you more punch and dynamic while also giving you that squeezed sound.

OHH WAIT
So basically you mean that the compression should be on a separate input and drums and percussion shouldn't be compressed and only side chained on master and the rest can be compressed as much as I want? Also about limiting and compression, that's really some new info. I've had an idea that compression amplifies the volume to a certain point, but not how it deals with limiting it.

(+1)

It depends. Most of the time you'll most likely use a light comporessor in the master chain as a glue effect. So in this case the comporession should be low.

The other thing mentioned is a technic by Andrew Shoeps. There you would use a heavy compressing comporessor as a seperat bus befor the master chain (or as a side chain) without the drums, yes.