this is quite the wall of text for getting your vision thru and I‘m not really sure if it should becount as a pro or con. But then also you are trying to tie this to another project of yours so it is kind of understandable.
Musically this is very over the top (in a positive way) with los of energy but also calmer moments to let those freaky parts shine even more. Every song had their own unique identity with the overarching style feeling very cohesive.
My only gripe here would be production wise. While your songs sprout with energy the energy doesn’t really get thru but feels a bit flat. Most likely this will have to do with your mastering compressing WAY to hard or you Limiter crushing to much. Either way it feels like the dynamics of the song and also the instruments are getting lost. Also a point of compression/limiting is that transients are also very crushed and don’t feel pumping. This could be due to the compressors/limiters attack being to fast, so it crushes the beginning of the transients way to early.
I think getting a rerun on your master would provide you with a much nicer result, since the music has quite the energetic delivery. Also a general tip for mastering is to automate your master volume fader and also stereo enhancer, to emphasize climaxes a bit more. A change of 1db might not sound much but will definitely feel more energetic. This is normally a trick on pop/rock production where the chorus/hook gets boosted by a bit, but this does also do wonders in those kind of music.