SNES - Pang X Street Fighter II

Buster, the hero of Pang, has to destroy the energy spheres left behind by M. Bison in every classic stage from Street Fighter II.

Along the way, he finds a cyborg wrecked in a fight with Ryu. From the remains, Buster recovers combat data from six legendary fighters: Ryu, Chun-Li, Dhalsim, Guile, Ken, and Sagat.

He uploads this data into his harpoon gun, learning to fire each fighter's special energy — Hadoken, Kikoken, Yoga Fire, Sonic Boom, Shoryuken, and Tiger Shot — finally giving him the power to destroy the spheres and stop Bison's plan.

Turrican 1.5

The Avalon 1 has fallen under attack. Robots malfunction, mutants outsmart you, and some even steal advanced armor to turn themselves into deadly bosses. As Bren McGuire-still without the iconic Turrican suit-you fight through collapsing decks, chaotic corridors, and jetpack arenas using a built-in four-mode weapon system. Survive the invasion from inside the ship and reach the exact moment where Turrican 2 begins.

Preview

Install instructions

To apply the patch, open Flips, (or Online )

click on 'Apply Patch',

select the patch file, then the ROM file, 

(Super Mario World (U) [!].smc)

and save the new file.

Guide

SUPER-J11BIT

Free SNES homebrew dev. Relive the past. Imagine the future.

I develop homebrew games for the Super Nintendo Entertainment System (SNES).

Distributing commercial ROM files is illegal and is not supported in any form.

The patch file contains only the binary differences compared to the original ROM.

By itself, the patch is not executable or usable: it requires the original ROM, legally obtained by the user, and must be applied using standard patching tools.

This method ensures full compliance with copyright regulations, as no copyrighted data from the original ROM is included.

Hey! Thanks a lot — really glad the new stuff shows the improvement.

About the old patches: I took them down because, after everything I learned this past year, they just didn’t reflect the way I work anymore. Starting fresh felt like the right move, and now I’m focusing on new projects with much higher standards.

Will I ever revisit the old ones? Maybe, but I can’t promise anything right now.

Thanks for all the support — this reset is helping me grow and deliver better content for the community.

SNES-Patch 05/02/2026

Guide

Preview

itch.io

The Avalon 1 has fallen under attack. Robots malfunction, mutants outsmart you, and some even steal advanced armor to turn themselves into deadly bosses. As Bren McGuire-still without the iconic Turrican suit-you fight through collapsing decks, chaotic corridors, and jetpack arenas using a built-in four-mode weapon system. Survive the invasion from inside the ship and reach the exact moment where Turrican 2 begins.

Now that the game is finally out, I’d really love to see how you all experience it.

If you create any videos, gameplay clips, reviews, or if you come across content made by others, please share the links here on the forum or send them to me by email. I’m genuinely interested in seeing how you play, what stands out to you, and what you enjoy — every bit of feedback helps me keep improving the game.

The patch is ready! Releasing tomorrow! 

Good news: the patch is finished!

Tomorrow you’ll finally be able to try all the fixes and improvements the community asked for.

Thanks for all your feedback — it really helped shape this update.

My goal is to create a full Monkey Island remake, but shorter, while keeping the spirit of the original intact. For the character close‑ups, I’ll use the Special Edition graphics so the dialogues will look more expressive and easier to read.

The overall style will be a mix between Dune and Simulmondo’s Diabolik games—very narrative, cinematic, and without intrusive interfaces.

There won’t be a traditional inventory: any items you pick up will simply be added in order and used automatically when needed, thanks to SMW’s sequential blocks. For example, you won’t be able to find the treasure without defeating Carla first. It’s hard to explain in words, but once you play it, everything will be perfectly clear.

Project Update

After running many tests with my sequential‑block system in Super Mario World, I reached a clear conclusion. The SMW engine simply cannot support a full point‑and‑click structure with items, object combinations, or a real inventory. The RAM limitations, the way sprites are handled, and the lack of dynamic object management make a SCUMM‑style system unrealistic.

However, this limitation pushed me toward a direction that fits the SNES hardware much better. While researching alternatives, I revisited the history of Simulmondo, the Italian studio active in the late eighties and early nineties. They produced episodic interactive adventures based on popular comic series like Dylan Dog, Diabolik, and Martin Mystère. Their games relied on static screens, simple interactions, minimal inventory, and a strong focus on atmosphere and storytelling.

This format aligns perfectly with what SMW can actually do. My system already supports scene transitions, dialogue choices, conditional events, and small scripted animations. These are the same building blocks that defined Simulmondo’s interactive adventures. Instead of forcing complex mechanics the engine cannot handle, I can embrace a style that feels authentic to the SNES era and still offers narrative depth.

The new direction is to create a SNES‑style interactive adventure inspired by Simulmondo’s structure. It will feature static backgrounds, simple choices, branching events, and a strong atmosphere without relying on an inventory system. This approach keeps the project technically feasible while preserving the charm and storytelling potential I wanted from the beginning.

Mini Update: I Just Had to Show You This

https://drive.proton.me/urls/VVFRQQD1Y8#7o3xEZn32M61

Okay, I know.. I said the next post would be the official announcement of the finished game.

But I'm breaking that rule for a very good reason.

While working on the final level, I ended up putting together this armor hall.. and it turned out so good that there was no way I could keep it hidden until release. It instantly became one of my favorite rooms in the entire game.

So here it is: the armor hall from the last level.

Just a small preview, a little taste of the atmosphere you'll find in the finale. I won't spoil anything else, but trust me-its role in the game is pretty special.

Alright, now the next post will really be the final announcement.

We're almost there, and I can't wait for you all to play it.

Development Update: Level Coding Has Begun!

Hey everyone!  

Just wanted to let you know that I've officially started coding the levels. All bosses and enemies are already done, so from now on I’ll be focusing on building the actual structure of the game.

I’m aiming for somewhere between 5 and 7 levels, but I haven’t decided the final number yet. Either way, I won’t go beyond that because I want to keep the style I love: short, intense, old?school arcade experiences, without repetitive or filler levels.

Speaking of bosses:  

there are two more bosses I haven’t shown yet, and I’d rather keep them as a surprise for the final release. I think the “wow” effect will be worth it.

From this point on, the next topic I post will be the announcement of the completed game.  

We’re really in the final stretch, and I can’t wait for you all to play it!

New Boss Reveal!

https://drive.proton.me/urls/VVFRQQD1Y8#7o3xEZn32M61

Hey folks!

It's time to introduce the third boss.. and yep, you guessed it: this one flies, zips around, locks onto you, and blasts you like you're the last pixel left on Earth.

New Boss Reveal: The Rolling Mutant

https://drive.proton.me/urls/VVFRQQD1Y8#7o3xEZn32M61

Hey everyone!

Time to show off the second boss-another mutant who managed to steal the advanced armor... and figured out a whole new way to weaponize it.

His Signature Move

He morphs into a high-speed rolling ball, tearing across the arena while dropping bombs nonstop.

Pure chaos, pure pressure, pure pixel mayhem.

I'm still polishing the animations and attack patterns, but the fight is already a wild explosion of metal and mutant fury.

Get ready-this boss doesn't just chase you.. he runs you over.

Fresh Update from the Pixel Lab - Meet the First Mutant Boss Wearing the Stolen Armor

https://drive.proton.me/urls/VVFRQQD1Y8#7o3xEZn32M61

Hey everyone!

In my previous post, I talked about a new feature I've been adding to the game: mutants aren't just savage and unpredictable. they're smart enough to steal and use advanced armors for a short time.

And yes, one of those armors is a clear tribute to the legendary Turrican 2 power suit.

Well, today I’m back with something even cooler.

I'm excited to introduce the first mutant who managed to steal that iconic armor and twist it into his own brutal, corrupted version.

This guy officially becomes the first boss you’ll face - a mix of nostalgia, chaos, and pure pixel insanity.

I'm still polishing animations and attack patterns, but the whole encounter is already looking wild.

Get ready to see what happens when a mutant grabs a piece of gaming history... and decides to use it against you.

Jetpack Chaos Inside the Avalon 1

https://drive.proton.me/urls/VVFRQQD1Y8#7o3xEZn32M61

Our hero just unlocked his new favorite hobby: flying around inside the United Planets Freedom Forces' flagship, the mighty Avalon 1.

One second he's on the floor, the next he's on the ceiling, and the next he's zooming past two confused drones who are definitely reconsidering their life choices.

We've got horizontal levels, vertical levels, and a few that look like the ship's engineer built them after a long night and too much cosmic espresso.

With the Jetpack, every corridor becomes a zero-gravity playground where the only rule is: try not to crash into anything that sparks.

Giant Mutants Are Live - and They Don't Move... Because They Don't Need To

https://drive.proton.me/urls/VVFRQQD1Y8#7o3xEZn32M61

Today was giant?mutant testing day.

And honestly? I'm starting to think I created a whole new category of unfair.

These things don't walk.

They don't chase you.

They don't flank, hide, or do anything remotely tactical.

They just stand there.

Like skyscrapers with anger issues.

And then they unload.

The moment they spot you, it's like someone flipped the "infinite ammo" switch.

Rockets, bullets, beams - whatever they're built with, they fire it nonstop like they're trying to erase you from the timeline.

It's almost insulting how confident they are.

They look at you like:

"Why would I move? You're the one who should be running."

And the worst part?

I coded them.

I know exactly how they work.

And yet every time I test them, I feel like I'm trapped in a turret defense game where the turrets hate me personally.

Static enemies, sure.

But when they start firing, you realize mobility was never the problem.

Survival is.

Challenge accepted... again.

Mutants Are Live - and These Guys Are Way Too Smart!

https://drive.proton.me/urls/VVFRQQD1Y8#7o3xEZn32M61

Today was mutant?testing day.

And let me tell you...these guys are NOTHING like the robots.

Robots explode. Robots break. Robots accept their fate.

Mutants? Mutants plot.

These sneaky creatures move between cover, switch positions, and shoot from angles I didn't even know existed.

I swear one of them looked at me like, "Oh, you thought this was going to be easy?"

I'm developing this solo, but these mutants are making me feel like I need a full tactical team behind me.

They flank, they hide, they reposition - basically they play smarter than I do, and I'm the one who coded them.

But hey, challenge accepted.

Testing the first enemies - time to wipe out some robots!

https://drive.proton.me/urls/VVFRQQD1Y8#7o3xEZn32M61

I've started testing the first robot enemies in the game.

It's that glorious phase where things explode, systems break, and I figure out what actually works.

I'm developing this solo, but trust me - I'm ready to wipe out some robots and push these tests to the limit.

Boss Level Concept in Shinobi Style

https://drive.proton.me/urls/VVFRQQD1Y8#7o3xEZn32M61

Hi everyone,

I’m working on a concept for a boss level inspired by the style of Shinobi. The idea is a compact, symmetrical arena designed for a fast, timing‑based fight where precision and quick reactions are key.

The boss would be faced in this kind of setup, keeping the action tight and arcade‑like.

What do you think of this structure for a boss encounter?

New GIF From My Game!

MENU-INTRO-LEVEL

https://drive.proton.me/urls/VVFRQQD1Y8#7o3xEZn32M61

Here's a new GIF from my project: it shows the main menu, the full introduction, and a section of the weapon testing level.

Everything is still in development, but this preview gives a solid feel for the game's style and pacing.

Let me know what you think!

Avalon 1 Teleport-Elevator

https://drive.proton.me/urls/VVFRQQD1Y8#7o3xEZn32M61

The Avalon 1 is a multi-level starship. To move between floors, you don't use stairs or a normal elevator - you use a teleport-elevator.

Find the platform with the green LEDs. When you step on it, the system activates and instantly teleports you to the upper or lower deck.

Flawless Idea! – Mutants Steal the Legendary Turrican 2 Armor

https://drive.proton.me/urls/VVFRQQD1Y8#7o3xEZn32M61

Hey everyone!

I’ve been working on a new feature for my game, and I couldn’t wait to share a little preview with you.

In this world, mutants aren’t just brutal and unpredictable… they’re clever too. Clever enough to steal and use advanced armors for a short period of time. And here’s the fun part: one of those armors is a clear tribute to the legendary Turrican 2 power suit.

Our hero ends up facing not just a boss, but his own iconic weapon, reimagined in a mutant version.

A mix of nostalgia, challenge, and pure pixel madness.

I’m still polishing animations and attack patterns, but the whole scene is already looking awesome.

Update on My SNES Patches 

Hey everyone,

I wanted to give you all an update regarding the removal of my old SNES patches. After a pretty intense year, 2025 turned out to be a huge learning experience for me. I've picked up a lot of new skills in coding, optimization, and overall best practices for creating solid, reliable patches.

Because of that, I decided to take down all my previous patches. They just weren't coded the way I'd want them to be today, and with everything I've learned, it felt right to wipe the slate clean and start fresh. I'm now focusing on new projects and new games, using a much more refined and mature approach.

As for the old patches, I'm not sure yet if I'll revisit them. Maybe someday I'll rework them and bring them up to the quality standard I'm aiming for, but I can't promise anything at the moment.

Thanks to everyone who supported my work so far. This reset is a necessary step for me to grow and deliver better content to the community.

Evercade, I forgive you… my Turrican wasn’t going to be in there anyway!

https://evercade.co.uk/cartridges/turrican-collection/

Guys, I had a shocking moment today.

I was checking out the Turrican Collection on Evercade, fully expecting to see my name shining among the legends…

…and guess what?

My fan‑made SNES prequel is nowhere to be found!

For a split second I thought, “Wow, they totally forgot about me.”

Then reality kicked in and I remembered the obvious:

it can’t be included because it’s not official  

…and, tiny detail…

I haven’t even finished it yet.  

So yeah, Evercade had absolutely no reason to wait for me.

But don’t worry — I’m working on it.

Slowly but surely, pixel by pixel, it’s coming together.

As soon as I have something that doesn’t look like a glitchy fever dream, I’ll share some previews.

And when it’s finally done, I’ll proudly send Evercade an email titled:

“Alright, you can add it to the collection now.”

All jokes aside, just wanted to share the project and have a good laugh with you all.

From now on, every game I upload will come with its own square‑format box art, inspired by the style of the Super NES Classic.

It’s my way of giving each video a clean, retro look that fits the 16‑bit vibe.

If you love classic gaming aesthetics and want to see every title with its own custom mini‑cover, you’re in the right place.

Stay tuned — new box art and new games are on the way!

Hey everyone! Today I’m sharing a new milestone in the development of my SNES game based on Turrican. I’ve been working on the intro screens and running tests on the weapons and projectiles that Turrican can fire.

Right now I’m focusing heavily on sprite handling, animations, and projectile behavior. This part is crucial for the gameplay feel, so I’m doing a lot of testing to make sure everything runs smoothly and reacts the way it should on real SNES hardware.

Your feedback really helps as I continue refining the game.

Thanks for the support — more updates coming soon!

I've deleted my YouTube account.
From now on, my main hub will be my website, where I'll continue sharing everything related to my projects and my work.

Time is valuable, and I'd rather focus on development and the forums I use to keep up with news, instead of spreading myself across platforms I don't really need.

Less noise, more focus.
Anyone who wants to follow what I'm doing already knows where to find me.

For example, when I start working on my own Monkey Island game, it won’t look like the first picture, but like the second one. Basically, that’s how I imagine my game.

My Idea for a SNES‑Style Point‑and‑Click Adventure

I’m developing a point‑and‑click adventure designed exactly the way it could have been made on the Super Nintendo back in the ’90s—but with a creative twist that makes it stand out.

A Unique Cursor: Flying Mario

In traditional point‑and‑click games, the cursor is just a simple arrow. In my version, the cursor is actually Mario flying across the screen.

• I use Mario’s flying sprite as the pointer.
• I visually disguise him so he behaves like a real cursor.
• This means the main character can’t die from clicking the wrong spot, because the cursor isn’t tied to the character’s position.

It’s a fun workaround that turns a technical limitation into a cool feature.

Static Screens Inspired by DUNE (1992)

I remembered the classic game DUNE (1992), which used static screens with transitions between scenes. That sparked the idea for my own structure.

My point‑and‑click games will use the same approach: fixed screens instead of scrolling.

Why this works so well:

• Static screens allow for more detailed SNES‑style artwork.
• The SNES hardware naturally fits this format.
• It creates a more cinematic, story‑driven atmosphere.
• What could be a limitation becomes a creative advantage.

A Retro Concept with a Fresh Identity

This project blends:

• authentic SNES visuals
• classic point‑and‑click mechanics
• a character‑cursor hybrid
• detailed, handcrafted static environments

It feels nostalgic, but with a twist that makes it completely my own.

Where This Idea Can Go

This concept opens up possibilities like:

• intuitive interfaces built around the SNES controller
• small but charming animations
• simple, accessible gameplay
• a world designed scene‑by‑scene, just like the classics

In a world where everything moves fast, where new consoles drop every year and graphics seem to matter more than ideas, I keep going back to the Super Nintendo.

Maybe it’s nostalgia, maybe it’s stubbornness… or maybe some things never stop belonging to the present.
The SNES isn’t “outdated”: it’s history, it’s a creative language, it’s a different way of making games.
Working on hacks today means taking something old and making it breathe again with modern ideas and real passion.

In an era where everything is instant, I choose something that takes time.
In an era where everything is pre?made, I choose to build.
In an era where everything is digital and forgettable, I choose a piece of memory that refuses to die.

And I’m curious to see how many of you feel the same.
Who’s still connected to that era? Who still plays retro? Who understands this “madness”?

Anyone who follows my projects knows how much I love making SNES games — but not every part of the process hits the same way.So I wanted to share which parts I enjoy the most… and which ones tend to drag a bit for me.

When it comes to drawing sprites and backgrounds, I’m completely in my element.I love spending time on tiny details, experimenting, polishing… I can get lost in it for hours.It’s the most relaxing and creative part of the whole journey for me.

Then there’s the part where I have to set up and configure the code inside the ROM.I still find it interesting — it’s literally what brings everything to life — but it’s also the most demanding and boring part for me.It slows me down, makes me take more breaks, and requires a different kind of focus.

To avoid burning out or pushing myself too hard, I like to work on smaller, simpler projects between bigger games.It helps me reset my brain, stay motivated, and not overdo it to the point where I end up dropping everything.

I’ve been experimenting with a sequential “password block” system in Super Mario World using custom ASM blocks.
Each block increases a RAM counter only if it’s touched in the correct order, and a final door checks the value and automatically triggers the end‑level sequence.

What’s interesting is that this system isn’t just useful for puzzles or passwords.
It can actually serve as the foundation for a full point‑and‑click adventure engine on the SNES.

Why this works like a point‑and‑click system
Each block can represent an “object” or “action”

The RAM counter becomes the game state (inventory, progress flags, dialogue states)
Conditional checks (CMP) allow for sequences, combinations, and branching logic
The final door can be replaced with events, cutscenes, transitions, etc.
With a handful of conditional blocks and a few free RAM addresses, you can build:

branching dialogues
collectible items
puzzles based on sequences or combinations
doors or events that unlock only after certain actions
scripted scenes
even a basic SCUMM‑style interaction system

I’m expanding the system further, but even in its current form it already allows levels to behave more like an adventure game than a platformer.  

New Level Inspired by STRYX Thanks to principekento!

I wanted to share a cool update about the project.

A few days ago, principekento left a comment that really stuck with me:

"I’ve been following your work with interest, and as a parting tip I’d love to see something inspired by my old Amiga memories: for some reason your creation reminded me of Psygnosis’ STRYX. I could totally imagine a zero‑gravity section with a jetpack, handled just like in that Psygnosis game!!"

That reference instantly sparked something.

So I’ve decided to take his suggestion and add a brand‑new level inspired by exactly what he described: a zero‑gravity area, complete with jetpack controls, capturing the vibe of STRYX while adapting it to the style of my game.

The bosses in my game… mutant giants!

I have to admit, I didn’t originally plan to include bosses in my game. But while I was working on a few ideas, a thought suddenly hit me: why not add mutant giants?

The idea clicked right away, and it feels like it gives the whole project a stronger direction. I’ve started integrating them into the game, and I really like how they’re shaping the overall atmosphere.

Hi everyone!

I’m working on a personal project: a fan-made game that serves as a direct prequel to Turrican II.

The core idea is to show what actually happens during the intro of the original Amiga game—the attack on the Freedom Forces’ ship and the fall of the crew. My game will end exactly where Turrican II begins, so players will realize in the final scene that the first level of the classic game starts right after the events they just experienced.

The entire adventure takes place inside the large spaceship seen in the intro. I’m imagining it as a massive structure with multiple decks and sectors, giving me plenty of room to design varied and coherent levels.

Each area will have its own atmosphere, hazards, and narrative beats, gradually building up to the ship’s total collapse.

Project Goal

The goal is to show the fall of the ship from the inside, following the protagonist as he fights through the invasion and tries to survive. The ending will connect directly to the opening of Turrican II, creating a narrative bridge that the original game never showed.

Image

In my version, Bren McGuire doesn’t wear the iconic battle armor. Instead, he appears in a more human form—agile, exposed, and equipped with a sleek futuristic rifle.

Weapon System: All Fire Modes at Your Fingertips

There are no weapon pickups or upgrades scattered throughout the level. Instead, each button on the controller triggers a different type of fire:

Image

A fast, precise shot

A wide-range energy wave

An explosive projectile

A high-powered charged blast

Everything is built into the controls from the start, giving players instant access to a full arsenal.

Fast-Paced, Streamlined Gameplay

The goal is to deliver a fluid, action-packed experience where players can adapt quickly without pausing to manage inventory or switch weapons.

I’ve just wrapped up all the sprites and the entire graphics set for the game. It’s been a ton of work, but seeing everything come together has been amazing.Starting today, I’m officially moving on to the SNES coding phase — the most technical part, but also the one that will finally bring everything to life.Stay tuned, because things are about to get really exciting.

Let me know what you think, I’m excited to hear your reactions!