"There are some dragons who lay eggs, and some dragons who fertilize them."
So, there are still males and females, the author just isn't calling them that anymore.
I don't get it.
Upon playtesting some more, it seems to be a caching issue. If I load from the beginning or a save prior to the transition, everything works normally. But if at any point during a session I load a save or enter a segment using the new room, if I load a previous save, it retains the new room look.
*It seems like loading a save from before chapter 4 doesn't affect it, but chapter 4 and on is affected, as are new games.
Now that I've completed the game, some thoughts:
I'd forgotten how good your storytelling is. I'm actually more impressed with it now than I was the first time I played, probably because I've read a lot of genuinely awful stories since then. A couple things that bugged me at first were 1) Ashe telling Mila that they weren't close anymore and she wanted no further part of her life (apparently fighting to the death together meant nothing to her) and 2) the bashing that Rinaldo constantly received from Ashe and Faaldha (while he was unquestionably rash and at times foolish, he also burned with righteous anger and was willing to sacrifice himself to it, which I think deserves a great deal of credit). But I now think you handled both of these things correctly, or in the first case, at least reasonably.
Two other things that bother me about the storytelling which I do still wish to make comments on were the post-battle moments of clarity and the memory fragments. While I understand the desire to morally redeem fallen characters, this particular way of handling it felt… "forced" might be the right word. Not in the sense that the moments were trite, but from a lore perspective, their occurrence doesn't make sense to me. Why would a vampire getting beaten up reduce the hold of vampirism on them? It's not entirely clear to me from what we are told whether the behavioral changes are the innate effects of the vampiric curse or a psionic link to the master, but regardless: if the curse is altering their mental state like a drug (which it is often depicted like), it doesn't seem like dying should have any effect, and if the cause is psionic control, it seems like the effect should actually become stronger as the spawn weakens (and loses any power they might have had to resist it). So their moments of clarity don't make sense to me.
My complaint regarding the memory fragments is much shorter and really more of a suggestion. The memory fragment fights were all pretty generic and unmemorable (barely more difficult or time-consuming than the ordinary goons running about the palace), and I feel like a real opportunity to relive Mila's regrets or fears was missed by the total lack of dialogue. I mean, why have they been called forth in the first place, if not to torment her?
My last comment is that the final battle felt much too easy. I thought I was going into the battle significantly under-leveled, as I had, by my estimate, skipped half the castle content. (I was HR 74, maybe you can say what it was balanced for.) As it is, I beat the boss without any real difficulty on the first try. IMO, Ashe constantly (and automatically! no opportunity cost required!) reviving Mila is the culprit, because Ashe is an absolute tank, so Mila's health suddenly doesn't matter. I'm honestly not convinced it's necessary and would suggest disabling that. Then again, I don't recall being challenged by any of the bosses after Vivienne (the first time, in chapter 2), so maybe a hard mode would be a better solution.
Anyway, those are just my thoughts on a couple of things. Overall, it's a great game. Thanks for making it freely available. I'll be watching to see what you do next.
I have a bug report for you (this is not a new one). If you decline to have sex in chapter five with the half-orc bard whose name I forget, the game thinks that you sexed her anyway (relationships screen shows 1/1 scenes unlocked and her status as lover, and IIRC, later dialogue alludes to it having happened).
Okay, great. I was somewhat confused when it didn't release last Friday night/Saturday morning but didn't want to be impatient. I'll be looking forward to it.
I love your work, btw. You are great at both characterization and world-building (it's rare to see that together; I'm usually happy if someone is great at one and decent at the other). Plus, (speaking as a man) women write the best porn, yours being no exception.