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Sob my body is ready, I say to myself as I start up the game. Even though I know it's truly not.

OHHHHHHHH I love the very dramatic intro, with Hippolytus talking to Theramenes before the title screen shows up very cinematic-like alkdjfasd And the music from the first game!! You do such an amazing job of making these three games feel so cohesive, from the style, to the colors, to the music. It really feels like a VN triptych.

Have I mentioned I love your use of the classical music? Makes it feel even more like a classic theatric play ldkjfas

THIS LINE???

HELLO????

Poetry.

LDKFJALSDKJFALSDFA PHAEDRA CATCHING HERSELF. It's funny yet tragic at the same time... 😭

WHY DOES SHE LOOK SO INTENSE AS SHE STEPS TOWARDS HIM.

I love the way her sprite turns pink as she becomes lost in her emotions. It makes tangible how those feelings change and control her.

Sob Hippolytus blaming himself... this is so painful... 😭 Apologizing for his own words???? GoddddDDDDDD

THE SHATTER EFFECT GUHHHHHH

Another gorgeous line lakdsjfasd

GODDDD. Not only Phaedra shattering him to the core with her confession and making him feel ashamed and awful, but then telling him to kill her... HAVE YOU NOT TRAUMATIZED HIM ENOUGH 😭

God the voice acting is so intense and gripping here lkajdfalks

Sob it is finished...

I knew this would be even harder than the previous two and my expectations were not dashed lol. While the previous two were equally as artistic and tragic in the way we got to see both of their follow-up reactions to what happened, seeing the actual moment. Witnessing the way that Phaedra became so intense and twisted in her final moments, particularly when she was begging Hippolytus to kill her. And then seeing Hippolytus's torment in real time and the way he was already blaming himself and the horror at having all of this happen to him. It was the most painful of all 😭

I mentioned this already at the beginning but the way you not only brought back the style from the previous entries but also expanded upon it in this one was incredible. I loved how we're still introduced to them as their purple and gold counterparts, but see Phaedra's color change in different ways as she loses control, becoming pink, becoming gray, and becoming red as she fully succumbed to the twisted state of her mind and was no longer in control at all. Also getting to see a few others join this time around was a nice addition, with the appearance of Theramenes and Oenone. Then the sheer fact that this entry is longer with even more dramatic moments and CGs. It really helps culminate the first two as this fantastic build-up leading to this final climax. Which is all the more interesting given that it actually happens before the other two. The climax was at the start, but you've framed it in such a way that it now comes at the end, which honestly I feel is just brilliant and such a fantastic way to approach the original story and make it come alive.

The writing was absolutely brilliant as always. I only highlighted those two lines above but I could have screenshotted so many more!!! It really felt like reading the lines of a theatrical epic. And the emotion the voice actors read each line with only made them pop even more. Wonderfully poetic and tragic and absolutely dripping with symbolism in basically every line.

I really loved how you handled the CGs this time around, from the beautiful shot of Phaedra on the ground and the sun shining down, harking back to the first game and reminding us of her own pain and her own tragedy as one of the daughters of the sun. And then the CG of Hippolytus with the swirl, which was such a great way to visualize the intense chaos taking place in his mind. And the way you had Phaedra's hands reach up. Red in her delusions. And even warping as her psyche became more and more warped. GUHHHH. It was so well done LKAJDLFAKSJDF

Literally just every inch of this was so fantastically done. The emotions on the sprites, the gorgeous composition and framing of each shot. This was a magnificent finale to your trifecta of Phaedra games. I feel like this belongs in a library or something next to all the other classics LKAJDFASD

I'M RAMBLING NOW BUT JUST. Yes. Brilliant. You never cease to amaze and impress me with the unique and artistic ways you handle each and every one of your games!!! 💕

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Aaah, hi Carrot, thanks for your detailed feedback!!

First, I have to say I LOVE how you include your live-reactions loool it's so enjoyable to see!!

Overall, I'm glad you find the games cohesive with each other, that really was the idea! Especially since, in TDOTS trilogy, the whole "monochromatic characters (+) dark background" is the tragedy lol (hence SOTW's very different colour scheme before its final line: Hippolytus ran from the tragedy, but is still doomed to it anyway... poor baby)

I really enjoyed using the music in this game to convey the evolution of the scene (and some thematic relevancy lol) so I'm happy you enjoy the use of it!!

For the poetry of the lines, especially if you think of all the dialogues, I won't take any credit, it's all Racine loool

Now, thanks for sharing your detailed feedback and you're right: I indeed intended to expand on everything the two previous games have set up, using everything that made them "them" to convey the actual chaotic situation (+ I felt like the two other games teased so much how horrific this confession was that this game had to be quite intense lol). And you're right, that's the direction of this trilogy: the first game shows you the pain of a woman who did the unutterable, victim to a curse despite herself; the second game shows you her actual victim and serves as a reminder that, curse or not, her actions still had consequences so she's not as innocent as she thinks; and eventually, the final game is meant to reveal what happened and let the player judge of the situation. So that's why the play order is important lol as starting with TTATS kinda reveals the climax

Thanks for your compliments on the CGs, I had a lot of fun implementing them and "layering" them to add some animations (I mean, you're a master to follow in that regard lol).

"I feel like this belongs in a library or something next to all the other classics" OMG OKAY THIS WAS SO NICE I AM GOING TO SCREAM AND CRY AND ROLL ON THE GROUND AND- thank you  Carrot, I'm glad! I'll admit this series of VNs really has a unique vibe in comparison with mine loool but I'm very happy with it!

Thanks again for all your kind words, and your years-long support at this point, I really appreciate them A LOT!!!!