Thanks for your detailed comment, it really means a lot! I really love the combination of strings (especially pizz) and woodwinds as a main instrument or just for texture with staccatos for example (you have a really quick glance of this at the end of the B part of my 3rd track with the dissonant flute stacc intervals which then resolve). Talking about the 3rd track, it's interesting that you point out a 3/4 to 4/4 switch as I wrote it as a 4/4 but I realised it can be interpreted as an alternation between 2 3/4 measures and 1 2/4 measure if you follow the celli ostinato. I was going for an almost "polyrhythmic unsettling 4/4" so I'm glad it went through!
For "Sloth of the lost Souls", it was my most rushed track so I didn't have time to make a proper intro/outro but I'm glad you you enjoyed it, I agree that it fits the atmosphere I was going for pretty well.
I love creating little stories you can follow through a piece of music. I started out making music with the mindset of a score composer so I always have evocative images in mind and try to convey them through my tracks. I 'm also trying to do the same with my limited drawing skills through my covert arts lol. I love scoring to actual images, I'm actually working on a (very) amateur film score with some friends and I'll make sure to share it when it's done in a couple of months!