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If it's a framing issue I can 100% fix that. Would it be a fade to black, just added prose in-between lines that currently exist? What would you say is appropriate for a route like Sal's or even Hoss's where they're still just figuring things out? It's easy when there's deep-seated emotions already there, but I'm stuck on the others that don't.

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Would it not be appropriate to frame it in a hopeful light. Daves been struggling with depression and so lost in the past to the point it was breaking him, but now he can look to the future that there might be better times ahead.

Of course more cautiously optimistic what with the imminent death and all. It would be a good opportunity to show dave emotionally healing or at least the potential relationship having a possitive effect on him. 

That would work for hoss. Sal could be more working trough stuff together since he also has his own problems so neither of them are alone. I honestly have no idea how to do roswell since as far as dave is concerned he's 100% dead after the month is up.

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Alright, I think... I get it? We basically want to capstone the night less with a sudden fade to black but more a light reassurance from Dave's perspective that he has something to take shelter in despite all the bad things going on?

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It is the ending of an arc more or less, so it should be more than just a sudden fade to black. So fluffing it up should help, changing framing would help with adding fluff and would help keep away from blatant smut to keep your more PG rating.

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Oh I think the ship has sailed hardcore on PG. By Australian standards this would be M for sure.