By the way, thanks for introducing me to the seapunk masterpiece that is DISNEY PRINCE$$. I feel like a normie whenever I say that music has the opportunity to affect the way one thinks about the world, but if we live in one where we can get audial productions that layer hopelessness, vapidity, uncertainty, and a bunch of other adjectives for the Teenage Dream, then it must be a pretty decent one, indeed. It’s something that I’m thinking about with my own production, putting those big ideas, these big stories, into such a small package. Seeing it paired up against Cranky Kong on Japanese commercials is an experience one only gets the equivalent of maybe… once a year?
Then again, it could just be me. But nobody puts songs into their work because they don’t like them, right?