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noxias

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A member registered Nov 26, 2023

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i just played this and i am obsessed. it was very Real, but also cozy and fun. the character writing is immaculate and the incorporation of the polyamory is very well done!!

note: my feelings on this arent as detailed as id like them to be bc i rushed through the game in an hour, roughly, in between some other things (it was a run where i romanced everyone). so theres a decent chance i leave some other comments later.

anyway. i keep wanting to open my mouth and say "and i related to - the most" but the problem is i cant say that bc i related to them all. so hard. theyre all such realistic depictions of people trying to be kind in a fucked up fascist system that it rends my heart. also theyre all hot as shit but we will get to that.

the polyamory was really well written and incorporated. im poly but not particularly experienced in relationships, so take me with a grain of salt, but i rlly like how the mechanics naturally lead to me thinking about how i balance time with everyone and tend to their individual needs. in particular, the characterization shined. everyone had the same reasons to be concerned and stressed, but different reactions to the concern and stress, and it therefore felt real. and near the end, (day 24) i had romanced the pilot and the rebel, but not the modder. so i took them out thrifting, discovered their relationship with fashion, and got to flirt. which was nice. then, a few days later, in commons, rebel and pilot commented on their outfit. i found that just really nice. <- compersion fiend.

on characters: the one who immediately caught my heart was the pilot. bc. of Course. i live in a rural area with a lot of old union long haul truckers so i know like a hundred guys like him, im gay enough (bigender she/he) that i wanted to climb him like a tree, and his handling of the situation is Exactly how would i think about it. he thinks hes a privileged coward, he knows he is lucky to be able to escape, and he knows his form of escape has put him in a position of power over three incredibly vulnerable people, and he desperately does not want to hurt anyone. his dialogue always reads with a clean awareness that this situation is terrifying, and i like how his tone changes as he gets to know everyone. hes still considerate, but hes more himself - because he knows he can be. he reads as incredibly emotionally intelligent tbh and it makes him feel the most like the player character. 

his personality shines bright and, funnily enough, it really makes me realize how well hes written as an older guy. his affection for a stupid old comedy film that he finds undyingly hilarious, and surely was funnier back when he was young really gets me. his sense of contradicting confidence and also a bigger fear of death than the other two also charms me. he knows his shit and knows he will make it but damn is he scared. the scene where he mentions the small possibility of dying in the ion field(? i dont remember the exact wording, sorry) and says that it stopped being a concern before he was born got me. was it a concern when his parents were young? did his father tell him about it? mmm. Gets Me. and the start of his romance was really nice. the apologies after he pinned you (hot) didnt just read embarrassed, but genuinely guilty, clearly worried he had made you feel pressured. and then kissing him after, was, Well, Pleasant. in general he is just. So Nice.

the rebel was my first romance bc i naturally went to hang out with her and she went "do you want to make out" and i was like A-HA. YES! you get it!! exactly!! and everything that came after was equally fun. shes very happy to be alive, and i feel like any other story would take that to mean she doesnt take things seriously, but i like how it doesnt go that route. she is the happiest to be alive AND therefore, she values life the most. in every situation her rage reads as responsibility with nowhere to go. her rage towards fascism and the way she is the most social/community oriented in the crew going hand in hand are amazing to me. than scene at the first stop where she very subtly signals to a large amount of people that shes with them in resistance, and then the scene with the baked treats. the vendor refusing to take her money (if memory serves?) pangs my heart. it reads like "i know i wont see you again. let me leave you with this." which. ough.

her personality is electric and her taste in movies being exclusively Fascist Killer Simulator Drama. is Fearfully Me. cmon. nothing gives the rush like watching a president die.. the conversations about wanting to go back but knowing it would be the worst choice, and, more than that - secretly not wanting to, secretly wanting to just live - ough. the survivors guilt of a girl that is Incredibly Happy to be here.. i adore her. like. shes always been a rebel Because she enjoys being alive. shes a rebel for the moments of shared understanding in the markets, in the treats, in the touch and hold of another. oh, i also like how its clear she wants to make out and cuddle at first bc she likes intimacy and touch. thats it. and that is not at all seen as a bad thing. sick and tired of monogamy culture where all romance has to be because Your Soulss Divinely Interlinked. fuck that noise. i am a mammal who likes touch, let me experience it!! damn you!!

and. ough. lowers my body into the marsh. The Modder.. i have so many thoughts and no room for them. i like how the modders introversion stays as a genuine personality trait, local modder actually just likes the quiet thank you. and i like how it isnt linked to some secret insecurity or self hatred. the modder does have their insecurities but it clearly isnt hatred of the self, yknow? its just dysphoria for when their body doesnt listen to them. and the reveal that the modders prosthetics and eye were always a choice - ie something they did to themselves from the start. i think i literally made a pog face i was like OH i knew we were REAL but i didnt know we were REAL LIKE THAT. for context - i am physically disabled irl. cerebral palsy right hemiplegia (essentially: my right limbs are partially paralyzed) and just. AUGH. the themes of disability and transness and autonomy interlinking make me FERALLL. people very often feel icky about the nonbinary cyborg/shapeshifter/non-human trope and i do get it but DAMN. its so real. the metaphor never stops giving.

if im reading things right, the modder is trans for the same reason they have prosthetics: this is their body. and they want ultimate control and autonomy over it. they will not live a life they are unhappy with, they will not live in a body they are unhappy with. i feel like their introversion can be misread as a lack of self confidence until the thrifting scene. and then its like Oh. the modder is VERY happy and confident. the modder being the only one who isnt drowning in guilt on the journey; i like that. people often associate guilt and shame with morality but like. shrug. the modder is still a kind and considerate person. even if they arent the most social. its really good.

and the thing that makes this game for me are the small moments. the moments where your crewmates talk to old friends, the pilot bartering with the women over metal scraps, the rebel looking sad but genuinely thankful after she gets her snacks, the rebel and the modder going at each other in a game of oligarchy while you and pilot snuggle. but my favorite has to be the music event. i didnt even get to listen to it for that long, again, rushing - but. augh. the impact and small joy. those orchestra players can not save the world, for all intense and purposes, you could be angry at them for what - still going like normal under a fucking fascist regime?? but. shrug. i cant. because its art, its instruments from across the system, being offered for free, just because they can. just because its kind. often times alt people (and society in general) will tend to position orchestra music (or anything lyricless) as like. morally neutral. incapable of meaning anything. boring. so having all three of the characters implicitly understand the value and impact in it is really cool, and the song itself was beautiful!!

anyway. my Thoughts :). i am ABSOLUTELY buying the full version btw.

this is really beautiful! ive been having it saved to play later for some time, and im not dissapointed. 

ill be real, at first, the narrative didnt get me but then it suddenly clicked and i was like. Oh Yeah. Fearfully this Fucks. 2 lovers left in the wreckage of a prophet of a new age, the sun saint. both of them being magically bound to him beyond words. especially the scene wherein dantes suddenly peaking in on their private interaction and neither of them even care.. its really telling and well written. salvi taking dante breaking his bond as far more of a profound violation than its existence. the constrast between both of them humanizing him deeply by calling him "idiot" and also treating him like a god, letting him watch in on their privacy and just.. accepting it. sorry thats still insane to me.

i always love stories about the people left behind the "main character". the disciples to the grand prophet. and just the detail of like oh yeah theyre killing their saint because they know he has a spine and hes more useful to them as a story than a person with will and motive. kill the soul. thats the type of political drama i LIVE FOR. yesss... 

i took a peek at your patreon, and im very excited for the remake!! i particuraly ADORE divinas new design. i feel like you were slightly limited here by making them a customizable mc but she looks so fucking cool now. i can feel the exhaustion in her eyes.. auwugh. (also HELL YEAH give salvi stupid little glasses. i live for that shit)

one last thing: my polyamory loving heart adores the salvi/dante/divina dynamic pre canon. its so funny. it reminds me of that one tumblr post that goes like "polyamorous triad but its 2 people trying to coax the third one into the relationship like a stray cat. they both get the third guy in bed and theyre like okok he seems calm.. this is nice he should know we love him. while the third guy is like wow i am in love. sucks that they secretly hate me and want to kill me with hammers for no reason." its great. salvi never change you freak. 

this was a delightful read oh my God. it was so fast but.. enrapturing for every second it remained. i especially love the darksouls section - i got to the end of the dialogue just as the music was fading out and i was on the last set of stairs and the near silence and ambiance got genuinely scary. not even just jumpy scary - i was getting slightly hysterical for a second. i felt - as a bitch who loves the out of bounds and runs into every wall for secret paths - like i was somewhere i was not supposed to be. and that this world would consume me. 

and before that, even!! johnnys ramblings really hit me as someone who loves infodumping. i felt very vindicated by the owl finally admitting "Fuck yes." like yeahh boi. it Fucks.

as well, as a transmasc boygirl with (possible) bpd and autism the hooters section like. Hit Me. Hard. just.. every subtle implication of it is sickeningly good. johnnys relationship with the women in his life being tangled up with his own repressed transness. like. of course!! he was never going to confront liv!! this was an internal journey. the fact that the hooters has a lot of sudden camera changes and you get given food you dont fucking want and its loud and intense and overstimulating. Reads So Very Autism. 2 me. thats also how i feel in resturaunts.

i am someone who simultaneously gets very defensive and uncomfortable around egg narratives, like, in general. i am always slightly uncomfortable with how most trans people around me talk about the concept of being an egg. (not a condemnation, its different for everyone and my beef is a personal issue) but the conversation between jenny and johnny is a really beautiful read on it, i think.  like-

i get uncomfortable with the popular narrative that you should be pushy with an egg, and i think the prime directive is a fucking stupid idea, and im not even sure i believe in the concept of a "true gender", if that makes sense. i think transness needs to be abt autonomy above all else. but also. i am someone who once uttered the sentence "i truly believe i killed that little girl, and its ok, because she wouldnt have survived anyway." about myself pre-transition. so jennys dialogue and rage hits me, so soo hard.

(plus her being based off of a cartoon character and linked with hooters, a very.. obvious symbol of like. simplyifing women Compels me. as a trans guy who spent years longing for this similiarly simplified Man (tm). and it also strained my relationships with men)

i especially appreciate johnnys reaction to. Every implication of jenny. im so used to depictions of transness where the protag either meets the realization with completely noncomplicated relief or abject terror. what about apathy and concern. what about who is this self in my skin. is this me? it fucks.

on jenny, i get her. a lot. ive wanted to claw out of my own skin my whole life. not in a self destructive way but in a!! baby i want to live way!! and i dont blame johnny either!! is johnny morally required to submit to this apotheosis? i dont think so. but is jenny wrong either? for wanting to live?

(it reminds of the video essay "6 shapes of god" by cj the x. theres a section somewhere in the middle where he talks thoroughly abt the difference between revelation and destruction, and talks at the point that despite how overwhelming it feels, revelation is something that comes from within. it has really stuck with me, even as an atheist.)

the trio of big johnny, johnny, and jenny also feel.. especially pertinent to bpd experiences. that urge to destroy the self. ive actually had a history of thinking about running away/changing my name that has also been linked with my suicidality and transition thoughts, sometimes. that urge to escape. to change drastically. jenny represents that for me and.. its so hard to tell whether or not shes dangerous sometimes. (big johnny reminds me of depression episodes, and normal johnny makes me think of how often i have to forcibly mellow and even myself to out balance my insane highs and lows.)

her choice to shoot the owl and big johnny at the end, and johnnys acceptance of it.. it feels kind of like a manic episode. kill your depression and your reason, and i will run the show. but at the same time - i cant tell if its really manic, if its a bad ending. for years now, ive been considering changing therapists because sure - shes sweet and listens but she never pushes me to change at all. sorry if thats tmi but it felt relevant. jenny asks the question "is the thing keeping us safe holding us back? at what point does a comfort object become a burden? are we really above water, or are we just drowning slower?" without. saying any of those words. that is some incredibly smooth metaphor and subtext. and like. Oh My Fuck jenny. yeah.

just: at what point does inner exploration and healing without drastic change become a cycle? is the calm and reasonable voice, the one who speaks with a dizzying mix of every therapist youve ever heard, all in one vaguely approving choir - your friend? when do we have to change or we'll die?

uhm anyway. i adored this game and theres also a good chance im going to binge all of siobhans work and percys too. thank you so much for making this!!

OGH STUFF IS HAPPENING.

i havent even completed the game yet but shit i needed to comment bc like. im crying rn. not much but DAMN this game hits like a bullet. ive been in moriahs shoes in the past, the depressed friend whos just a little bit fragile and still doesnt really know how to belong in a group. and seeing all the others try their best to be caring and stuff. augh. my hearttt