Very nice. I did intend to submit that song, but must have got it muddled up with Everything Gets Sacrificed while I was entering the form. Whoops. No problem, though.
Examining the skulls gives me the following result: "You see 6 crystal skulls set in the wall. TypeError: Re.keys().map is not a function. (In 'Re.keys().map((e=>be.$.persist[e]?1:0))', 'Re.keys().map' is undefined)"
The only baffling pronunciation in this one was the A DROUGHT one, which perhaps works if you imagine someone speaking in a Scottish accent, but while it he second word appeared reasonable to me, the first one came only after experimenting with three letter words that would fit.
Very good. Though I felt someone would be more likely to just send a form email saying something like “Your email is very important to us, but unfortunately misdirected.” than take on all that work—but then the horror of being buried under all that work as your coworkers vanish would not be as apparent, so it works. :P
Is development time for Le Petit Mort required to be continuous (as it would have been—by necessity—for Speed IF) or is it allowed to be non-continuous and have arbitrary length breaks in-between so long as actual development time never exceeds four hours?
Watched your video of you going through the Shufflecomp entries, and that's prompted me to point out that "From the Stars II" was one of the songs off my playlist.
Rather good environment from what I managed to play of it, but the arbitrariness of the sort-of world model stumped me (e.g. given that the PC isn't forced to drop the rope by going through the purple tapestry, why can't the PC drop the rope down the hole behind the door?)
What I played of it was good, but unfortunately it errored out after I got to the "Closer Still" link
The exact error is: In Passage.render() using _.template(): SyntaxError: Unexpected identifier 'tel'. Expected either a closing ']' or a ',' following an array element.
The concepts of an interactive whiteout is interesting. The effect it creates is one of constant reduction—everything seems to be propelled towards to a small, collapsed point.
