The idea is interesting, but even the game page description doesn't make it clear whether you can actually win the game. What features have been completed?
I completed the first level, but the second level immediately throws me out of bounds, causing me to fall and lose. Restarting the level just reproduces the same issue.
I liked the art style and how quickly you understand what is expected of you. Perhaps it lacks highlighting of the platform that the cursor is hovering over and where the character will jump to.
I liked it. Very creative and fresh. An interesting idea that looks simple but is deep and engaging. Beautiful artwork. Special praise for the engine logo stylization. Although the game is challenging, it offers freedom for combinations.
It might have been worth adding a move counter so that players could see how many moves they've already made and understand how to improve their results.
There are balance issues; the game doesn't really motivate me to build specific towers. Garlic is completely useless. Maybe they should've made it so that garlic doesn't deal constant damage but instead increases damage dealt to targets—that way, it would actually be useful.
An invisible wall is an outdated approach from an era when technical limitations prevented games from featuring extensive graphics. If you don't want the player to go in a certain direction, place a pile of boulders or a steep incline there instead. Invisible walls always break immersion—without exception. I once went caving in real life, and I have to say that you've managed to partially capture that genuine fear: as you descend, squeezing through narrow passages, there's always the dread of reaching a dead end—and that’s truly atmospheric.
There are serious issues with audio artifacts. There are also control problems when the game stops capturing the cursor. Visually, it's interesting and unique, but there are notable issues with both controls and sound.
The idea of building tension with a looming, ominous object in the sky is quite interesting. The downside is that it clips through the collision geometry, which immediately breaks immersion. The oppressive music does a great job of enhancing the atmosphere. I really liked the time rewind mechanic with the route repeating itself—it's a fascinating concept. Perhaps just minutes and seconds on the asteroid would be enough; I feel like displaying milliseconds there is a bit overkill. Also, maybe the cards shouldn't have been rotated, as it's hard to tell what card it is when viewed edge-on.
