Well, that would be neat, a v2! I love the Max/MSP reverb - it's based on, or is "Freeverb", I think? My suggestion on the opening up the guts is purely on a selfish level. I don't program in Max/MSP, but I do like to have control of what I'm doing, even though granular and S&H is technically random, at least one could have the control to adjust the speed or depth of the effects. I know that there's definitely some pitch shifting going on in there, but how much other stuff, who knows. I've been composing all sorts of electronic music, and it was fun to throw my own tracks in it.
If I had the $500 to throw at Ableton Standard (and purchasing Max for Live) or the Live Suite, I'd go for it. So, definitely make it for whoever's got that software! There's gold in them thar hills. I wish Reaper's coding was like Max/MSP, because we really need granular and glitch plugins that sound "right", like Max/MSP or Pure Data. Every plugin that's tried to get close to the sound isn't even remotely close. They're nice in their own right, but it's not Ryoji Ikeda nice, y'know? VCV's samplers get it, so that's what I'm using for my ambient stuff, but if it existed in RENOISE... holy cow balls. Not as a plugin, but as part of their tools or part of the software itself. Nobody's making it right.
Can you save us? Yes, I do mean Renoise and Reaper. Renoise is one of my favorite softwares; as a tracker is just that good, and nobody's gotten the glitch effects yet, because you can't change the sample's start/end times via LFO or other automation. I know I've gone way off topic here, I just have this feeling that you have your ear to the ground in a good way.