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Canticum - The close harmonies in the voices are so delicate and well balanced, amazing.

Who were they - Incredible open sound from the ensemble. Love the lydian character of those fifths. The suspensions in the vocals are great, but also in the piano, like the G (1:18, 2:36) that sets up the key change to reset the loop, that was awesome.

Arrival to vockslip - You have a really good instinct for how much space and rubato to give everything. And the phrasing and dynamics are so expressive!

A whispering past - This feels like the ambient BOTW music, I love it. So glad you made use of recorded violin because the results are fantastic.

The Lamb and the Hammer - Jump-scared by the guitar! Bit of a change in tone. I think it's just because the rest of the soundtrack sounds so incredible but the virtual instruments stick out here to me. Love the section from 1:19, especially the countermelody in the Mandolin(?) and it's such a satisfying resolution back to Major.

The Inn - Love the interplay between the winds in this, going to have to make a mental note of the gorgeous sound of clarinet and flute (I believe?) in 3rds.

What a great submission! Love to hear folk instruments explored in a more ambient/textural way, it was incredibly successful and really inspiring!

Wow. Thank you for such immensely detail feedback, and I’m super appreciative of your thoughts!

That’s a combo of zither and Irish harp in the lamb and hammer—sorry to have jumpscared you with it, it’s definitely an abrupt shift. If I could’ve written the full soundtrack, it would have sat amongst a few other pieces with a similar vibe (and about 5-6 other ambient tracks to be fair 😭) any tips on making it sound less midi-ified? I really tried to go for a realistic sound here, and strangely it’s the solo strings that sound the most midi to me. I fiddled with them for hours, and yet… any tips welcome.

It is clarinet and flute in the inn, good ear!

Thanks again for all this feedback. Much appreciated!!

Gonna DM