I can probably make Delta work faster to let you gain match anything you wanna put between the send and return on wet mode, if that helps. Another thing I'm trying to figure out is "what would Soothe be like if it was all analog." Dolby is also in as WD 361 but I didn't update the page yet. A type is Dolby A-ish, Broadband is the dbx implementation of the same idea and it's a little weird imo - it does a lot and it's really slow to let go so it has a really alive feeling. B is Dolby B-type which is like the cassette tape version.
How are you making these so fast? haha
Not sure I understand your comment re:Delta. Just took me a moment to realize mix @ 100% included the dry signal, and when is Delta on then it's all wet. All good.
Your soothe idea is an interesting one.
Will get back with thoughts on the BRIGADE. I'm demoing the new BBD from PSP as well.
A lot of it is like once you have "a thing" like al algorithm that describes a tube for example, it's a lot easier to just use that again and again and it takes so much less time than making a whole new thing - like you make one VCA compressor and the next 5 are 90% done already. SO as we get more and more "components" like preamps, transformers, eq, whatevers, it opens up more and more lower-effort things. Like dolby is basically just an eq in front of a preamp and then another eq after it etc etc. It's like building a bigger and bigger collection of legos in some ways. It's also why I will probably never end up doing anything super unique or revolutionary... all this stuff is stuff other people figured out a long time ago and we're just translating it.