Thanks!
I spent the most composing time to make counterpoint sound good. Mando and violin sound unexpectedly sweet in 3rds (and resolving to 3rds). It's not really surprising per se, but it's only on the record when it gets this warmth. Wasn't like that with soundfonts :P
Would you mind elaborate a bit what did you find "forced" about B section?
It didn't feel like an inspiration that came to you but like something you came up with to finish the composition. Of course that is only my opinion and I don't know if that's true or not, but art is always subjective and in the end we tend to like stuff that doesn't feel constructed. It wasn't bad, but it didn't have the freshness of ideas as the first part.
