The arpeggiated chords of the warped tape piano combined with the undulating pad that I cannot quite define are mesmerizing. I like how your stirring melody floats effortlessly above the flurry of texture. I love those little bursts of waterphone-esque overtones.
In Streetlamp Sabotator, I imagine a character who is meticulously and desperately attempting to arrange precise moments in an alternate timeline in order to prevent some catastrophic event from occurring. Time is running out… and boom! You really ramp up the intensity at 1.25. What a moment!
I love those alien transmissions intervening, as if we are switching to another timeline or parallel dimension where we get to experience the same subject from a seemingly impossible point of view. Maybe we are watching our future or past selves, or some event that we keep coming back to but as different character.
Those tempo fluctuations feel like someone/something is manipulating time and space, so good.
I feel like we return to the lighthouse in Morning. Did we accomplish the mission, or are we doomed to repeat the cycle again?
Your composition and production skills are excellent. I love how you put this project together. I love the abrupt shifts in texture and dynamics, so effective. Your soundtrack kicked my imagination into overdrive!