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I also agree on the constant fullness on the track, a lot of the sections were re-arranged near the end to make it loop transition to the first section easier (end -> start).  Originally it had a section with the lead violin playing very softly accompanied with granular drones in the start and end, but it was scrapped while restructuring sections. So the dynamic range pretty small besides the middle section:

Definitely would've been a different listening experience in that scenario (and probably better), 

So thank you for the feedback about it!  I appreciate your input :)

I would have love to hear that section how you describe it! Yeah hard to make choices in art sometimes haha! But the result is still full of life ;)