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Thank you! I'm glad you like the time signatures, and I would highly recommend looking into metric modulation as you practice odd time signatures too (which I don't think it is necessary to learn but I personally found it to be helpful for practicing, but I mostly did that because I wanted to make similar music to Mother 3 which relies heavily on metric modulation for it's time signatures)! Also, I haven't heard of StarBirds before but I'll have to check it out, I can't believe I never found out Kurzgesagt was involved with a game!

This is a really lovely soundtrack! I always enjoy music written to a story and I think you communicate it well through the soundtrack! Some great choices of instruments as well! I love story-driven soundtracks but for some constructive criticism, I feel the main motif could've been developed more for the purpose of breaking ambience for character association, but that's pretty subjective and mostly a personal preference when it comes to the ambient cinematic-style music attached to meaning (like a story), and I still think you communicate your story well!  Nicely done!

This is a cool soundtrack! I like your instrument choices a lot, and the synths are very very nice! I also like the cohesiveness of how you structured your soundtrack! A little bit of a subjective criticism, I love the drum timbres you've chosen but I would've liked to see a bit more variation in the drums patterns given the more ambient structure (especially in track 1 and 2), but that is just a matter of personal taste, and I don't dislike the drum pattern you have currently - I still think they are nice. I also really like the interpretation of the theme and your progressions highlight a vastness with a hint of eerieness which I think fits perfectly for space! Very nicely done!

This is a really cool soundtrack! I love how you chose to compose for the theme, everything feels "cosmic dreamy"! I also really like track 2 it feels very imaginative and awe-inspiring and the vocals are some nice touches. I also really like the layering you did in your tracks. I have a couple small constructive feedback; I like how you use the crashes throughout your tracks to give them some more impact, though, I feel the crashes could be a little bit quieter or they could use a high shelf filter in all the tracks, or maybe even a reverse crash (or another sibilant texture) to crescendo into it to ease into a bit (but that'd kind of ruin the impact a tiny bit). I also want to emphasize the hat in track 2 like FoxHyode mentioned, I really really like track 2 but the hat poking out in the treble is the main thing holding it back I feel, but I still think you've composed these wonderfully and the whole soundtrack feels very wondrous, like exploring the vastness of space! Very nicely done!

Thank you! I am glad you enjoyed it!

This is a great soundtrack! I love all the different mix of timbres you've chosen and I think they fit well. This is a great space journey too and I think you capture the theme well!

For one small constructive feedback, I like the tone of the first track and it feels like a great start to a journey, however I feel like the lower synth pans too far into the left or right sometimes, mostly because it is holding the "weight" of the track (sub/bass frequencies) and the mix feels uneven when it goes too far in the panning at times (I also listen on headphones so it is a bit more sensitive there), but despite that, I like the addition of the bass and I think it adds a nice energy to the track and conveys what you want to very well! I enjoyed the story-telling especially and the piano really ties everything together, very nicely done!

I think this is a nice soundtrack! This is my 3rd attempt at leaving a comment cause itchio flagged me as a bot the other day but I was able to comment on someone else's post today so I am hoping it goes through. I mostly wanted to say that I think the lack of time signature in the first track worked really well and there's a very nice sense of atmosphere in it, it is also my favorite of the 3! I also really like how you used the stereo field! and idk what or how you did to the piano in the second track but I like how it sits very, very pleasantly in the mix! I can't remember what else I had to say from the other day but those are the main things I wanted to express (maybe you'll get a couple surprise notifications if my comments didn't end up getting lost to the cosmos), You highlight the theme very well and it was nice listening to this!

I love the ambience you have created here, I like venus especially I think it is my favorite one out of the bunch! I like your progressions of harmonies in the tracks as well and I think you capture space really well here! I ended up listening to whole thing throughout 3 days so my feedback might be a bit spread out (also I hope itchio lets me leave this comment too cause I got mistakenly post flagged as a bot the other day, probably because I take too long to write comments or something haha)

For some constructive feedback, I will focus mostly on the Uranus track as an example; I really like the calm nature and the warm-timbred synth with the wind-like fx playing in the background offering a nice and simple atmosphere, I believe the textures could've evolved a bit more for the duration though. There's many different ways to approach that but I have a simple example that wouldn't require any extra instruments, one approach I can think of is an automation of sweeping an EQ on the noise/wind every now and then, almost like a non-traditional "Call and Response" between the sine wave and the noise/wind, but there are many other ways to develop the textures as well! That aside, I still think you did a great job highlighting how Uranus feels (as well as the other planets)! Ambient is a really difficult genre (I personally think it is one of the most difficult ones), so I wish you luck as you continue to explore that area! Nicely done here!

Thank you and I appreciate the feedback! I am glad you found the soundtrack fun to listen to! Also I mentioned this to someone else but since you liked the glitchy aspect of the second track, if you haven't heard earthbound's battle themes I would highly recommend checking them out !  I think the technical term for the time signature stuff I did is metric modulation (but the tempo shifts are a bit rougher than what is traditional for that concept)

I agree that the tracks could use more development! (Especially the first track haha, I didn't want it to have a chorus while I was writing it, well at least not in the first 2 minutes of what a full version could look like)

I also agree that the cosmic horror elements feel lacking too! The main "dread" track (I called it Dread Man's Switch) I had to scrap before the jam but it was a cool concept (like a mix of the prowler theme from Spiderverse and "Air Raid" from LISA: The Painful), I even felt like I was going insane making it because the chords felt like they shouldn't work at all:

Here's one of the progressions I had for that dread track in mind, idk if they conveyed dread well but they were made by taking a normal progression and then adding notes that relate by 4ths

I will try to take your advice with darker tones in the latter tracks though, the last track is sort of supposed to represent a very subtle grim return to ignorance and I think your advice could especially help with conveying that fully!

Thanks again for the feedback and thanks for hosting this, I really liked the longer style jam!

Thank you! I am glad you like the jerky style, you might like the earthbound or mother 3 battle themes if you haven't heard them before! I didn't even notice the similarities to Aphex Twin while making this (I need to listen to them more often), that is a nice observation!

Thank you and I appreciate the kind words! I am especially glad you like the trumpet too because that was the part I was most afraid of how it would sit in the mix (mixing instruments with really bright timbres scares me haha)

Hi, I mostly wanted to share my somewhat recent discovery of NASA's sound data of planets, stars and even galaxies collected through radio wave interpretations, sonifications or some other method. Here's a youtube video that compiles some NASA audio of the milky way: https://www.youtube.com/watch?v=IQL53eQ0cNA A lot of the audio is pretty much atonal ambient noises  My personal favorite sounds are of Jupiter (also saturn is one of the scariest things I've ever heard in my life). You may have to do some digging to find certain audios, but they exist somewhere! The easiest way to find sounds would be on the website of NASA (https://www.nasa.gov/). Also the Sonifications page is pretty cool https://science.nasa.gov/mission/hubble/multimedia/sonifications/ 

I think these resources could be helpful if you need some cosmic related samples or references! Just make sure to check the rights; Most of the stuff is public domain and completely safe commercially as long as you don't convey NASA or it's branding to have any endorsement of what you've made, but there's sometimes (rarely) a few exceptions. Here's the rights page: https://www.nasa.gov/nasa-brand-center/images-and-media/ 

Edit Sep/10/2025: changed "as long as you don't endorse NASA in your audio" to "as long as you don't convey NASA or it's branding to have any endorsement of what you've made". Was maybe a little tired when I wrote that haha

I found Woldo but I unfortunately had to leave him to the dragons so I could escape the forest

Thank you a ton! Realistic elements mixed with electronic has been one of my favorite things to do recently, so I am glad you liked that! Thank you for the kind words!

This is really cool! I like all the different percussion you used, and the instrumentation captures the desert well! I have some subjective feedback regarding the track, I get an ambient vibe for the track (which this is a really interesting ambient track!), but I am exactly not sure if you intended it to be ambient-like. I can go further on that point if you'd like me to, but overall what genre the track is doesn't matter much to me; I mostly just wanted to point it out just in case that isn't the direction you wanted to take with your music! This is still an incredibly cool track, and I enjoyed all the elements you've added into it! Glad you were able to make this despite not having much time! Nicely done

Thank you! The feeling of the story was the most important part for me so I am glad you felt I captured it! I am glad you liked the variation too, I feel it sort of came from a shifting of musical ideas haha; I was originally inspired by "Attack on Vah Naboris" from Zelda (I started with the piano chorus area when composing) and then the rest of the ideas sort of shifted to Mexican-Folk and Chiptune inspired (and probably some other genres). That instrument at 0:24 is a trumpet soundfont, I think it might be based on a C trumpet though! Your comment is very kind, Thank you again!

Thank you so much! You articulated the feeling I wanted to capture in others with this track exactly, so that makes me very glad!  I am also glad you enjoyed the pitch slides too; It was one of my favorite things to implement into the track!

Thank you, I am very glad you liked it!

It's nice to see the Namib desert covered in this jam! I really like all the string instruments you've used, some nice strumming in there as well! For a little bit of subjective constructive criticism, I like that the reverb gives a nice sense of ambience, though I feel the reverb (or the decay) could be turned down a just minor amount to reduce some of the overlapping (like in the segment starting around 1:48 for example), but despite that I do like how it feels reflective of the longing feeling of the desert if that makes sense. Great atmospheric track as always though, especially liked your choice of ambient sfx!

I like the distorted sounds you've chose and there is an impressive loudness in your track (that's not easy to do)! For a little bit of constructive criticism, I really like the selection of sounds you chose, but there is a tinny quality that I feel dominates over the rest of the frequency spectrum; I think an EQ cut in the high-mids/presence range (or potentially even the 1k-2k region) could really benefit the song while still keeping the vibe you were going for! I really like your interpretation of the theme, I could imagine the wide grin of the cactus as I listened (in a good way)! Really cool submission!

Thank you!

This is really cool, I especially like your interpretation of the theme! The vocal chops are a nice touch, and the percussive sounds are satisfying. Nice choice of sounds all around!

This is really cool... and intimidating! It fits very nicely as a mummy boss theme! I like how the track progresses and I think all the instruments fit well. To wrap things up, I think this sounds great, well done!

I was hoping to see a submission on Antarctica, very cool! I like the mood you chose to capture with your track,  I also really like the bell-like synth you used, I have small a criticism regarding it too though; Sometimes it feels like it rushing ahead of the tempo, mostly when it plays along with the kick. I would recommend offsetting the synth a little bit further back off grid in the playlist, but I still really like the mood the synth sets, and it sounds very pleasant! Nicely done!

This is really cool! The textures are pleasant and the instrumentation is great! Reminds me a bit on how recent Zelda games approach music, is your track inspired by the series any? Nicely done!

Wow, I think the progression of the melodies is amazing, I really like it! The trills are very nice too. For a bit of subjective criticism, I found the timbre of the tom (or snare, I am unsure the kind of drum) starting around 0:56 sort of pokes out from the other drums, that's just a minor nitpick though, and I still like the addition of drumset drums there (especially the crash)! Nicely done!

I really like the ambience you created during the track! I think the sitar-like synth sounds cool, I personally found the detuning of the sitar-like synth a little too dissonant for me though (If it is unintentional, the detuning might possibly come from the release of the note overlapping the start of the next note, or from a delay), but it still adds a cool vibe to the track! Well done

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I really like the sense of atmosphere you created here, you've captured the feeling of the desert very well! I really the panning as well. Nicely done, sounds great!
 

I get a light-hearted feeling from this track, I think it makes for a really nice credits theme! I especially like how you structured the composition! Love the use of E-mu Proteus instruments too! Nicely done!

The progression is catchy and I liked all the sfx you've used throughout! The mixing is very pleasant too! Nicely done!

It's hard to for me to choose a favorite haha, I personally like 1 most due to the specific glitchy elements, textures and timbres, but my favorite from the perspective of Brian Eno's definition of ambience, I would say I like 2 more as an ambient track if that makes sense

I really like the combination of instruments/timbres you chose! I can imagine this playing at the end of a pixel style game. Nicely done!

This is some great chiptune! A "Journey's End" feeling really shines from this track and I think it fits the theme perfectly! The panning synth and percussive timbres add a lot of charm and were nice too! I really like the introduction of your first 2 synths also, I think they could really be brought out even more with some EQ adjustments! Specifically, a very tiny boost on the lead synth somewhere around the 2k hz area for clarity. And for the eighth-note synth, I think it could use a very small cut somewhere along the lower range of the mids(not the low-mids though), to also clear some space for the lead. Though, what you have now is still great and it was enjoyable to listen to! Nicely done!

I really like your sound design and choices, there's many pleasing textures throughout the tracks. I really like the concept you had here too, I find it interesting and I think you captured it well! Thanks for sharing these tracks despite not having enough time for the entirety of the EP, they were nice to listen to!

I think this is a nice ending sequence, I'm not sure if I am recognizing motivic elements correctly but the beginning feels connected to your previous tracks and the latter of the composition feels like a settlement of events.  Does this mean you are finished with your Silmarillion project? I remember reading you've been working on this project for quite a while so I am a little surprised if this is finally the end. But lovely composition as always, it's always nice to hear your style in these jams

I really enjoyed how you paced your soundtrack, with how the individual track structures were paced and also with how the entire soundtrack is structured to connect and explore various tones. I like the experimental bits as well! I am pretty bad at identifying motifs sometimes, I can identify the piano one you've used in "Dreaming in Sun" with a different version in "Break through Reality", but I am curious to know where else you had the other motifs placed?

Overall, I think you've explored the theme incredibly well here and the soundtrack was an enjoyable journey! Nicely done!

Thank you, your words are very kind! I am really glad to hear you found it engaging and creative! I didn't get the chance to leave a comment on your submission during rating but I hope to see what you come up in future jams as well!