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Feel free to quote～so glad to see masterpieces like that，waiting for the next one——also practicing my English reading；；  Ohhh，I recommended it to my friends ，and they love it ，too. Its interesting that，to some extent we are motivated——seems that local game industry always finding something mind blooming ，so we trained ourselves to be productive and efficient. Now we just find that  delving into culture is beautiful，and we got someone who like it～such a happiness.Nice to communicate with you! It feels very rewarding.

I will send the translation with issues later. I forgot to take a screenshot while playing ..

Opening the Simplified Chinese version was a wonderful surprise, even, one might say, shocking! I was somewhat amazed at how you expressed these elements and aesthetics so well. It gave me a sense of a calmness based on objects. Slightly different from mono no aware, it is a solemn and tranquil emotion. There is no one, only the past, and memories. The UI and music are very expressive.Chinese translation is also excellent, capturing the delicate atmosphere and profound perspective. There are a very few sentences in the translation that feel slightly awkward, but it is harmless and does not hinder understanding. I noticed right from the beginning that the scene descriptions echo the dynamic and static qualities in classical Chinese aesthetics. I really enjoy this opening exploration. The guqin tuning upon entering the room connects various events. Each note of gong, shang, jue, zhi, yu can evoke different emotions, which is why they are generally used in different scenes. ‘Gong’ represents orthodoxy and ritual ceremonies, so the scene is ranked... This is incredible. During my university studies, I came across this, and the feelings conveyed by sounds from different cultural backgrounds are truly fascinating. I’m still so amazed, wow, you actually saw this! At ‘Yu,’ I noticed a technique frequently used in Chinese poetry: linking the meaning of objects with personal experiences. For example, plum blossoms, bells... As for ‘Shang’ and ‘Zhi,’ besides elegance, I see a more ordinary aspect of life... Wow. I absolutely love this work. It is meticulous, bringing broad sorrow into every small object in life. Here, the one who has passed, is it ‘him’ or ‘me’? Undoubtedly, his death took away a large part of my life. Or perhaps, ‘I’ also died here. This kind of sorrow cannot be felt all at once, but it lingers in every moment. This may be tangential, but I am now guessing that you might hold a PhD in aesthetics? Also，here’s a point: death-related events are generally not noticed or approached by locals. Generally speaking, apart from the sadness, they also involve more ritualistic and social aspects. Typically, such occasions are rather lively, leaving little time to accommodate grief. Yet your knowledge and narrative skills truly impress me! This work has made me reflect on many things. Thank you for your creative work!

sure，I’d love to~ later I will come home and have a try.Still attending class at school QwQ

Wow its my pleasure! OvO  My native language is Chinese. It would be wonderful if I could completely experience the text——！hooray～
I've just started making games too，so maybe  my feedback is personal or not very mature. Thank you for your tolerance anyway! Cant wait to have a try～

很可爱的游戏，而且文字很舒服！

Very fun! The instructions are very clear, and the story is full of suspense, but I just can't get past the little TV level, wahhhh

The opening atmosphere immediately drew me into that world. The Japanese-style scenes are also very exquisite and beautiful. However, the character illustrations on the web version seem to be different in size, or is that the author's design? The brushwork is very delicate, and the choice of characters and the variations in their illustrations are very interesting. The theme of dynasty murder requires quite a bit of time to experience the text and characters. Unfortunately, my English level makes it a bit hard for me to fully appreciate... The weather effects like thunder in the visual novel, as well as the lighting changes, leave a deep impression. I can feel the tension and conflicts between the characters, and the interactions between Takako and Kitsu are very fun. However, I might prefer slightly shorter options, as I have to spend a long time looking at them every time I choose, haha. Overall, it’s an impressive work that conveys the sense of coldness and power struggle. I wonder if there are other languages available. ...

Hi, I'm the lead planner Yukki. If you're interested in the project and want to know more about the game, please contact this email.  skiyukki@outlook.com