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MistaLOD

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A member registered Mar 18, 2022 · View creator page →

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I definitely did my best to re-use the synths throughout the OST, as I wanted to have some sort of cohesion. I'm glad you picked up on that!

It’s a style I’ve worked into for a while, as I’m literally in New Orleans at this moment, which is where the jazz comes from. I’m glad you enjoyed it!

Glad you enjoyed it! The bass instrument is actually a preset from FL Studio’s “FLEX” VST. It’s the “Upright Bass” from the bass pack. I used my piano to record the MIDI, then I changed notes to make the composition more coherent.

Thanks! I love messing around with different time signatures, so it came together pretty naturally once I had the idea to lay it out.

Glad you enjoyed it! The drums were definitely fun to mess around with.

That’s fair. I didn’t go into it with a clear, hardline story so I don’t expect to get one out of it. Glad you enjoyed it, though!

Listening back, it definitely could be counted as 3/4, but I definitely did work on the project set to 4/4. I suppose it’s up to listener interpretation, as both are technically correct. Maybe it should count for 3:00 as well?

Glad you enjoyed it!

I’m glad you enjoyed it!

Glad you enjoyed it!

If you think the decimal BPM is bad, definitely DON’T check out some of my earlier works where I loved doing BPMs like 123.456 just to be quirky.  I’m glad all of the nuances you pointed out were realized. I did a lot of thinking to make sure the 8/4 was actually 8/4 and not just 4/4, and I’m happy it was noticed.

I’m very glad you enjoyed my work! It was very fun to work on.

“Through Death Valley” is also one of my favorites from this set. I’m glad you enjoyed it!

The idea only came about after making the second track. At that point, I had 4/4 and 5/4. I know I wanted to do something with the concept of the golden hour, as me and a friend took pictures at that time to get the album cover. The golden hour was at around 6:00, and my mind connected the dots.

The only one that was really “forced” was the 8:00 track, to be honest. The other time signatures I am comfortably familiar with.

I can agree on you with the drums, but I decided that it would be better mixed like the other instruments. 

Thanks! My last entry was lacking in story so I decided to actually care about it this time, and I’m glad I did.

If I had more time, I definitely would’ve had some fun creating that 11:00 PM track. I might just do it anyways later in the future ;)

I’m glad you enjoyed my work once again!

Yes. Don't do gay stuff.

Thanks! I think one of the main reasons it sounds natural to reverse is because of the piano in the second half making it so the song doesn’t just have a “normal part” and a “reverse part”. It’s like a secret instrument that gets “unlocked” when you go backwards.

I’m also glad you liked the cover art. It’s a picture of my face taken with weird settings on my Logitech camera, then I flipped the left side to make it symmetrical, or in this case, palindromic. I also added a lot of effects, too.

I’m glad you enjoyed it all!

I'm glad you enjoyed my submission!

Unfortunately, King Korok has not heard of the Zelda series. I appreciate you listening to my work, though!

For challenge level 'C', the audio file should play the same forwards as it does backwards, as if it was being held up against a mirror.

For A and B, it is a lot more lenient, only using palindromic elements instead of the entire song being a palindrome. For example, maybe you have a melody going A, C, D. To make it a palindrome, you'd have it go A, C, D, C, A or A, C, D, D, C, A. That way, they are the same forwards and backwards.

Thanks for listening! I'm glad you enjoyed this one. 🐢

I wish I knew more music in this time signature too lol. The only thing that comes to mind is the Hades I and II OST. Thanks for listening, though!

You have just discovered the point of participating in these jams! You make a song and use that creation to make yourself better.

Your last song will never be your best work. Your best work will always be your next song.

Another time signature is actually an awesome idea. I'll try that for my next song! Thanks for listening!

Thank you! I’m glad you enjoyed it.

I’m glad you enjoyed it!

I’m glad you enjoyed this! The cover art was made by me as well, and it’s themed abstraction, which I think fits the song well.

Glad you enjoyed it! I’ve always been a fan of breakcore and it’s been fun trying my hand at it. I’ll have to check out the songs you listed.

Glad you enjoyed it! The first set of drums were Addictive Drums 2, and the second set was a drum loop from FL Studio labeled “DL Breaker”, which was cut up with Fruity Slicer. You should be able to see more if you look at the proof of production YouTube video I included.

I’m glad you enjoyed it! The glitching part was a bit last minute but I’m glad I added it.

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I’m glad you noticed the diminished chord! I’ve been trying to use a wider range of chords as I’ve been stuck using a lot of m7 and M7. And yes, Lena Raine is a big inspiration for my music. She always has great music.

Also I’m happy you like the cover art! I made it myself.

I'm glad you enjoyed it! The time signature was 13/8 but it’s easier to count as 5/8, 5/8, 3/8.

I’m glad you enjoyed it!

I am unable to view the submission on SoundCloud. Is it private?

Thank you for your feedback. I do agree to some extent about your point, but I think we may have different interpretations about what the theme means.

Thanks for listening! I’m glad you enjoyed it.

If Undertale can use Earthbound soundfonts in a monetized game, I’m sure you can use one for a composition jam.