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Addendum, found out there's only one other guy. I thought 1 through 4 were filled. I'll check 101 out.

Alright, I actually enjoyed 101. The protag somehow wasn't even whiny at all and acted appropriately. A bit of issue with a few moments of immature writing but I had a great time of meeting and persuading 404.

The sexual assault part did get me grimacing because of how real it felt but thankfully it didn't delve into sexual part too much and just broke my neck. (see I projected myself there!)

Begs the question of why the protagonist vision changed so much between 404 and Sir Knight.

I found this game through fanarts on Twitter and thought it should be a good pickup.

Prefacing that I only completed 104 after picking the last door at the start on random and got Sir Knight, which I was a little disappointed since I wanted to save him after first impressions. Feel free to take this review with a grain of salt.

If it wasn't obvious by the genre, you play as a self-insert. A skill-less and luckless person who's desperate for cash. Whatever. Hard to gauge who your audience is so you make a nameless, unimportant person.

Except the issue here is the protagonist is so WHINY. 

This is compounded with how the writing is immature. Feels like if the writer just put to paper their immediate stream of consciousness and didn't refine it. It takes me out so badly that he keeps overreacting in capslock and multiple exclamation points.

It also doesn't help that because the protag is this whiny, I had to think of how this choice would sound in the protag's delivery that would immediately lead to offending dear Sir Knight and deservedly bashing his skull in. Speaking of, there's not much illusion of choice here. There's only a few bad ends worth exploring and you can immediately tell which ones those are. Otherwise it leads to the generic bashing the protag's whiny skull in.

There's also no thought given to the neutrality of the tone of the character/inner monologue. What this means is that there's not much room for the reader to put themselves in the protag's position. It feels like it's the author's self-insert OC rather than a neutral person anyone can project onto.

No issues on prose, that's a plus. Mispellings are okay. It's supremely hard to catch them in whatever VN engines but the issue here is that there are sometimes words where the author just really did not know how to spell. "trough" being mispelled in the intro sequence multiple times without a single correct "through" cued me in on this.

I liked Sir Knight. I liked that he was a nigh on arrogant asshole who seemingly deserves to be that way.

I would've liked to explore this man with virtually any other personality. Next to the protag Sir Knight feels unapproachable. Like give me the cliche cold, incalculating protag for once and that guy could've maybe held hands with Sir Knight even before seeing the sword.

Overall, I would recommend this to anyone who can soldier through a protagonist like this. From the fanarts on Twitter the characters do seem fun to meet and explore.

For me, I'm just gonna drop this game and enjoy it from a distance.