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Grimhound Gaming

12
Posts
A member registered Aug 09, 2022

Recent community posts

I was blown away by how The Supper delivers a masterclass in dark narrative payoff, wrapping a macabre story of grief and revenge inside a charmingly stylized point-and-click wrapper. Watching the gameplay unfold, the gradual realization of what is actually being prepared—and why—makes for an unforgettable 20-minute experience.

You watch Miss Appleton, an elderly tavern owner guided by a mysterious inner voice, prepare specific dishes for three sinister patrons. The moment-to-moment gameplay follows classic point-and-click logic: searching rooms, combining inventory items, and solving environmental puzzles to gather ingredients like a wild pigeon, a swordfish tail, and a "special sauce."

The standout strength is how gracefully the game handles its tone. The cozy pixel art and acoustic soundtrack feel inviting at first, which makes the dark turn into poisonings, meat grinders, and severed limbs hit with maximum impact. Seeing how Miss Appleton forges a "plump human hand" using gelatin and a stolen tongue was a absolute highlight of morbid problem-solving. The final story twist—revealing who was inside the chest and why these acts were carried out—gives the entire revenge plot real emotional weight rather than relying on pure shock value.

On the downside, the puzzle logic can feel slightly obscure early on. The player got stuck for several minutes near the start trying to figure out how to light the tavern candles with fire tongs, which dragged down the opening pacing. Once the core loop opened up, however, the momentum recovered quickly.

A short, beautifully crafted bite-sized thriller perfect for fans of dark point-and-click adventures like Fran Bow or Rusty Lake. I highly recommend this to anyone who appreciates tight narrative design and macabre humor.

4.5 / 5 starsExceptional atmospheric storytelling, gorgeous pixel art, and a satisfyingly dark narrative twist, marred only by minor initial puzzle friction.

Winter Takes All builds a surprisingly effective rug-pull by hiding a monster horror game behind a mundane winter chore simulator. Watching the playthrough, the slow-burn escalation from routine family errands to sudden dread is easily its strongest asset.

You play as a young boy in a snowy cabin completing daily tasks to help your family survive the cold—first gathering vegetables from the garden, then checking forest traps, and eventually learning to hunt with a rifle. What begins as a calm, day-by-day loop quickly spirals on Day 4 when a routine hunt erupts into a fight for survival against wild beasts and a horrifying discovery back home.

The game excels at subverting expectations. The lighthearted target practice with the rifle on Day 3 makes the sudden violence on Day 4—when wolves attack and you return home to find bloody footprints—hit much harder. The moment the background music cuts out right before things turn sour creates a genuinely tense atmosphere.

However, there is clear room to grow. The player camera height is set awkwardly low, making you feel tiny, and the movement speed is floaty and overly fast for a grounded atmospheric game. The voice synthesis/text-to-speech audio also shifts accents mid-sentence, which caused unintentional laughter during moments meant to be serious. Additionally, the final monster encounter and abrupt ending cut off very quickly, leaving little room for player agency or defense before the end screen.


A solid, 15-minute indie horror vignette for fans of atmospheric thrillers that use routine to build tension before pulling the rug out. Worth playing if you enjoy short, punchy narrative horror experiences.


3.5 / 5 starsStrong atmospheric concept and effective tonal twist, held back slightly by floaty movement, low camera height, and voice audio quirks.

Thank you for a fresh game!

I just finished playing 67 Minutes in Heaven, and I felt compelled to leave a review because this is exactly what the itch.io horror community needs right now.

In a landscape that often feels saturated with "rinse, wash, and repeat" tropes—endless dark hallways and predictable jumpscares you’ve managed to create something that feels genuinely subversive and fresh. Taking a classic, innocent party game like "7 Minutes in Heaven" and warping it into this tense, psychological slow-burn was a brilliant move.


MY LET'S PLAY:


(SPOILERS AHEAD DON"T READ PAST THIS, IF YOU HAVENT PLAYED)

What sets this apart for me:

  • The Atmosphere & Lighting: The blend of PSX-style graphics with modern lighting creates an incredible "uncanny valley" effect. The abandoned house feels heavy with dread without needing to over-rely on darkness to hide the scares.


  • Monnie as an Antagonist: She is one of the most unsettling characters I’ve encountered recently. The dialogue options ("Flirt, Lie, Die, Be Based") added a layer of personality and stakes that most short horror games completely ignore. The way her true nature is hinted at through her "Greetings Earthlings" dialogue and the environmental storytelling (like the newspaper clipping) is top-tier.
  • The Narrative Depth: Having two distinct endings based on player choice gives the game actual weight. It’s not just a walking simulator; it’s a narrative experience where the "67" reference and the mystery of Monnie’s past actually keep you thinking after the credits roll.

You did an incredible job on this. The camera work, the sound design (the loud music actually added to the jarring, chaotic energy for me), and the character designs are all stellar. Thank you for putting in the effort to make something that doesn't just follow the leader, but tries something new.

Can't wait to see what you drop next. If you're looking for a sign to keep making horror—this is it!

The atmosphere of isolation you built here is genuinely terrifying—you really nailed that feeling of being completely cut off from everything. I honestly went into this thinking it would be a standard indie horror experience, but the narrative pacing and especially that ending really surprised me. It stuck with me after I finished recording.

10/10

Hunting is a masterclass in 'less is more.' It lures you in with the promise of a boring simulator and traps you in a psychological cage. The PSX aesthetic isn't just nostalgia bait; it adds a grittiness that makes the forest feel hostile. While short, the pacing is perfect. It ends exactly when it needs to, leaving you unsettled rather than frustrated.

of course, can't wait for the full release!

I really enjoyed it, I hope you make more projects

MindDecay is a surprisingly effective slice of PS1 horror. While it wears its anti-drug message a bit loudly, the atmosphere is genuinely unsettling. The dev, PerfectGame123, understands that low-fidelity graphics can be scarier than 4K realism. The 'uncanny valley' animations work in its favor, making every NPC interaction feel wrong. It's short, weird, and free—definitely worth the download for a quick spook, though the controls can be a bit 'floaty' during the platforming sections.

Really dug the atmosphere in this one! The transition from 'cozy late-night job sim' to 'Wait, did I just hear something?' was smooth. The cooking mechanics are actually satisfying (I may have burned a few tortillas), and the sound design does a lot of heavy lifting to make you feel isolated.

If I had to critique one thing, I'd love for the customer interactions to have a bit more consequence if you mess up the order, but for a demo, the vibes are immaculate. Definitely keeping an eye out for the full release.

The atmosphere in this is honestly top-tier. The sound design and the snowy setting really nail that feeling of total isolation. It’s definitely more of a narrative experience than a "game"—the walking speed is a bit slow—but if you stick with it, the ending recontextualizes everything beautifully.

this game honestly gave me a weird feeling. it was eerie and the art style was amazing