I have the same issue on Ray’s route. And I don’t see any letter from Alisa… so I guess it’s a bug.
eirinym
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On day Ray’s day 9, after going to the market, I eventually get a message saying to check in with the others but they all tell me they’re busy. I did the mission it gives me (which is in the market) as well as went with Ray to the market flower shop, but no matter where I go or who I try to talk to, it tells me there’s nothing to do there and to talk to the others but they tell me they’re busy. I feel like something isn’t coming up that’s supposed to happen after.
Unless there’s some place I’m missing?
Don’t think your well being is less important than the work you’ve made. I lost my best friend last year (he passed away), someone I might have married had things been different. I truly and sincerely hope you get things sorted for yourself and you’re happier and healthy, have a home to go to, and take care of yourself. It may feel completely out of place for me to say this to you now only just now seeing this update. If I had read it sooner I’d have said exactly the same thing. What you’re going through is incredibly difficult. I’m in the process of trying to move overseas and I have doubts I’ll be successful in the end, but we have to try for ourselves. If things don’t seem like they’re looking good, look at the horizon and see what you find. Perhaps there is something there you can latch onto. And if you need anyone to talk to, we’re here. If I or anyone else can give you encouragement at the very least, I want to do that. Much love to you, your work has touched many and will continue to do so come what may. <3
It’s this:
Error Markdown
I’m sorry, but an uncaught exception occurred.
While running game code:
File “game/A08_Wednesday_Intro.rpy”, line 147, in script
jump wednesday_joe_morning
ScriptError: could not find label ‘wednesday_joe_morning’.
– Full Traceback ————————————————————
Full traceback:
File “game/A08_Wednesday_Intro.rpy”, line 147, in script
jump wednesday_joe_morning
File “/Applications/Visual Novels/Dawntide_v1.12.app/Contents/Resources/autorun/renpy/ast.py”, line 1757, in execute
rv = renpy.game.script.lookup(target)
File “/Applications/Visual Novels/Dawntide_v1.12.app/Contents/Resources/autorun/renpy/script.py”, line 918, in lookup
raise ScriptError("could not find label '%s'." % str(original))
ScriptError: could not find label ‘wednesday_joe_morning’.
Darwin-24.4.0-x86_64-i386-64bit
Ren’Py 7.4.11.2266
Dawntide Tue Apr 22 13:53:52 2025
To be honest, I can't really understand why people would think the first and primary focus for someone making a visual novel would be for clout, or maybe prestige. To me, what I have typically seen is that people want to develop art and tell a story. It's true within the FVN space I've seen a heavy slant and focus towards particular topics and age groups, and to me that's been a bit overplayed. When I began reading String Zero, I was quite pleasantly surprised at the depth and the clear direction that the novel was meant to be fundamentally experienced rather than perhaps merely diverting. The amount of work put into the world building gives me Tolkienesque energy. Not to say that that was the intent, but it's the amount of work where you end up with indices and of course whole backstories and lore just to reinforce the story and immerse the reader in that world. It's why it holds up and draws many people to it.
The characterisation is great too, and I can tell there's thought there. When you meet a character it takes time to get a feel for the complexity of their personality. I like that I can be surprised, or that a character opening up doesn't feel like it's merely there for exposition. That takes skill and finesse.
So for me, I made the decision to support the project with a donation. I do try to buy each novel or donate to any that really speaks to me and excites me. I hope you'll keep working on it, and I look forward to further developments.
Oh I can relate. It's nice to get to see some older themes and situations when you're 30+ so I definitely relate to Corey in some ways. Variety is nice with VNs for me. There have been times when the setting and ages of the characters can feel a little repetitive, not to say the writing isn't still great often, but seeing something different feels fresh, or grabs my attention. Can't wait to see where it goes! :)
Just wanted to say I love your VN. Detective stories are a genre I really like a lot, and add that to queer characters, furry VNs which I also love, and the fact that the writing and character design is great — I recommend it to my friends always. You're doing great, and bad people don't know what they're talking about.
Hey Ryuo, I just wanted to leave a comment on behalf of my dearest best friend, who passed away recently. He introduced me to your VN, and we always read it together. After the most recent update came out, it hurt me so much to realise he'd never get to see it. Your VN has meant so much to both of us, and I hope you continue it to its conclusion. I hope to continue reading it with a friend to bring more people the same enjoyment it has brought to both of us.
Soulcreek was one of his favourites, and I just wanted you to know that your work has touched many people, including some who are no longer with us, like my friend, Jer.
GigaSaddle, I hope you're doing well. Your novel is one of my favourites and I hope you one day will finish it. No matter what, you've already made something great and don't feel discouraged or pressured. I understand how difficult it can be at times to manage everything in one's life, and I hope soon you'll be in a great place and let us all see the rest that this story holds. :)
I understand the power of dreams to be haunting. I once had one where I was gripped by the figure of death and he held me down and whispered in my ear and I couldn't move. I was paralyzed, looking at this black emptiness within a black cloak. When I woke up, I still was paralyzed. I realized it was sleep paralysis, but the dream I've never forgotten.
Reading Soulcreek has been a fantastic experience for me, and I'm sure everyone who invests the time to read it will get the enjoyment I have, and the auditory experience is indeed excellent. My friend and I often talk about the mysteries and influence of what may be the underlying nature of the demons. He has a penchant for cosmic horror, whereas I tend to be affected by the spectre of things very real we're powerless to stop.
Whatever happens in the story, I do have my own speculations, yet they tend to rely more on science fiction. So I'm wondering just what kind of can of worms humanity opened up in the past story wise. The allure of the mystery and what's beyond is captivating to be sure, and for me, what Carl Sagan said still rings true for me - Science is a candle in the dark.
And like the protagonist of the story, knowing is the only way to move forward.
It's hard for me to describe how I feel about some of the characters. Some of them I don't have much of an impression of at this point, but I do know that from what I've played, Caijoru is a mixed bag.
This does contain spoilers so:
Rationally, I understand how he must feel, but it's like he's at a point where he's so messed up that he has trouble even considering that his plan is a horrible thing to do to someone else. He knew what would happen if he took Jeffrey / Colin to the cave. But he wanted to go and wait however long it took to try and get his brother to let him return. It's difficult when you give someone a chance, especially after having someone abuse you in a relationship to then turn around and have the trust you're trying to put in them betrayed.
As much as I wanted to hate Jeffrey at first for being really childish to people who cared about him, the more time went on, the more I understood it was more reaction than just lashing out for no reason. Honestly, I understand it pretty well, having stress in your life to the point where small things feel so much heavier than they should.
Ted, I mean, if it's true that Caijoru can eventually be pushed to the brink and see that he should move on, be the person he wants to be, I'd want to hope he could live a good life, that any of the bad things inflicted on him or by him, that those could fade away with better decisions, honesty, and embracing people rather than trying to use them.
I'm not entirely sure if the ending of the route where Caijoru comes back to be Ted one last time with Colin as the curse is taking hold is meant to be read the way I saw it, but it felt really sad. The thought of not seeing exactly what happened, my mind immediately thought of the journey Colin had been on throughout the story, where he didn't want to feel like he was going to keep failing everyone around him. So, instead of becoming what he feared, he shot himself after telling Ted he loved him, preventing the curse from moving on. What happens to Ted in that case, I don't know. But I don't know which would be worse: Colin shoots himself, or he shoots Ted and then himself...
I was surprised with Sean. There were some moments where I suddenly felt like he was who Colin should have realised sooner was truly special. And Daren, I don't know what to say. He's such a good person, I just want the best for him always. I think I'll read some more paths when I feel less overwhelmed by the sadness.
I'd like to say so far I've been really impressed with the plot and pacing of the game. I wonder how nonlinear the plot will progress, as I've grown to find the choice aspect up to this point as feeling like it does have an impact and whether it ultimately does or not, that's a good feeling for a player to have.
Also I know you've said you're working on this solo, but if you ever do need additional help with proofreading, I'd gladly offer my support. Not that this novel so far has had particular editing issues I've noticed, but nonetheless, just feel like any help for someone working on their own I'd like to offer.
Great work, and we're all looking forward to more.
From my experience with Echo I went into it with this impression that felt as though people were saying things about one particular character or another. But the more time I spent with it, the more I realised how the town itself ... the darkness that pervades it, like an indelible mark, manipulating and taunting all of the characters in various ways, it really was the one in the driver's seat. I came to end up pitying and empathising with all of the characters and what they went through. So many terrible scenarios and situations beating them down over and over. It's a wonder they did as well as they did for so long.
I don't really blame any of them, I know if it were me I'd have left as soon as anything freaky or terrible happened. Echo seems like a nightmare to live. One way too many never escape.
There's not really much of a difference. Shoichi is mad either way but puts it on Haruki. The upside to failing or letting yourself fail is that you get different bits of dialogue referencing it, mostly with Haruki. One spoiler below...
The only thing that's kinda rough is that Shoichi really goes beast mode for a minute. But ... Obviously it makes sense in context.
There was something else that caught my attention too, but I've been thinking this is the case for quite a while (basically since I met him), but...
Haruki I'm pretty certain has a crush on Shoichi, or is even in love with him. He's been super curious about Yuu and Sho's relationship and whatever details Yuu will tell him. Plus that, he always makes references to wanting to know about 'the dog' and despite all his homophobic slurs, he very quickly decided to kiss Yuuichi without reservation, and didn't seem bothered by it at all. I don't think he could if he was uncomfortable around gay guys.
Sometimes people will put up a front to avoid being accused of the same thing, something they can't face. And in the C route Haruki finally says something that's pretty suspicious/conclusive to me. When he has a conversation where he tells Yuuichi to stop waiting and do something about it, he says:
'If I'd been given the opportunity, I sure as sh-t wouldn't be leaving him alone and hoping for the best like an idiot.' And he mutters it under his breath so Yuuichi won't hear. Pretty sure he's suggesting that he wishes it were him with Shoichi.
I'm not entirely sure what his feelings are at this point. He seems to have some kind of affection for Yuuichi now, but he does still keep seemingly being very curious about Shoichi. Like maybe he's not sure what he wants anymore, but I'm kinda convinced he has, or had a thing, for Sho.
Now, I've been playing the A route because I think it's how I would go with things myself. And even in it, I'm not happy with some of the things that happen, and I sort of want to see some things change down the line. But part of me wanted to see what the other routes were like, and some things I like and many I don't. It seems like because of what Yuuichi does, Shoichi changes in varying ways. To be fair, if you don't confront Shoichi after talking to Saya, it seems like Yuuichi is going to continue feeling worse and worse about how aggressive Sho is until he bursts, or their relationship blows up. I had hoped you'd get another opportunity to talk to him or someone else, but it didn't happen in this update. So, in the end it seems like really you can make a difference in what happens based on the relatively few choices you get to make.
But sorry for rambling, just had some thoughts about how the route differed. And that's something that caught my attention with Haruki.