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I am happy if my experience is helpful to you.

Embrace the randomness :D It is wonderful.

B: After you use a feat, the player must make a save with the relevant stat (Smite VIG, Focus CLA, Deny SPI). If you fail the save, you gain Fatigue and you cannot use feats until you take a break (end of combat). My players were quite careful with the usage of Smite, because Deny is a very strong way to save the knights life. I think Focus is quite weak I didnt touch it, but I consider to homebrew it that gambits purchased with this feat are considered strong gambits.
It may depends on the players, luck and the myths you use, but my experience was that the monsters are not hard enough :D I buffed up some of the creatures :D Like I gave the wyvern an ability to regain its Guard every time it is spends a turn in the sky without attacking and taking damage (I also telegraphed this mechanic to the players so they can make informed choices!!!). Later I started to use a homebrew rule for large creatures - Some of the monsters can be harmed by only blast damage or by spending a gambit on scaling up the effect. I gave an npc the ability to always have 1 extra movement, etc.
Also I think most of the time I used battlemaps for the combat (I like cinematic, tactical combat with exciting environments) Nothing fancy, I drew some sketchy maps on the go and used my pretty little glass pearls, that way it was always clear what a blast attack can reach (everything your pearl touches)

C: You roll travel at the end of each Phase spent in the wilderness. You do not roll for Omens when you are in a holding. And no, you do not progress the Myth. They happen when the players encounter them. The only time when you tinker with the progress of the omens when the players actively search for the myth. The example in the book is about players searching for the Wyvern's nest, tough I never really had to make any modification in the order.

D: The players rolled for travel, I didnt explain them the exact method but after a while I think they kind of recognized a pattern: The higher the roll, the more boring the travel is :D
I did not use any other kind of encounter table, but I used some stuff from other myths that wasnt part of the campaign - I used npcs and their inventory from other inactive myths, like I introduced a grim kind of savage npc and I used an npc from the Axe myth.
It is not considered an encounter, but when they rolled "all clear" during travel I rolled up some ideas from the spark table (sometimes out of game when I had an idea for a location or a moody phenomena I noted down and then used in a random place during the game). Of course I always described the details of the environment, but when all was clear, I let myself a little bit more time to do so.
I used the example adventure site from the book, I improvised one during a lunchbreak. I actually prepared another between sessions, but they never visited the place :D great lesson.

E: We didnt have a session zero, but when we created the characters we discussed the setting, the culture, the society, the role of the knights and the seers. Actually I think the biggest change we did before even started to play the game was in the Oath. We didnt like the Seek the Myth part. We felt it was too meta, too gamey. We changed it into Seek the City. I imagine it is not a necessary thing for a lot of table, but it worked for us pretty good. They did asked about and searched for the seers in the realm. My players are quite experienced and are eager to immerse themselves into the setting (That is the reason why we discussed for like at least an hour the oath and the knights' place and role in the society). Based on the seers annointed the PCs, the players had a pretty good grasp of the - sometimes inhuman - nature of the seers, but I try to enforce during the game the weirdness of these npcs. If you take some advice, be super weird when you play the seers, The description of them are pretty useful, but be ready to incorporate some random elements. They met the Hanged Seer in the crossroads, the naked ascetic man, with strange encarvings in his body tried to hang himself desperately on a tree. The knights helped him out. Sometimes I rambled random bullshit, which kind of foreshadowed omens from myths they didnt encounter yet. (EDIT: The little poems of each myths are really helpful!) It helped me and the players embrace the out of time and place nature of these strange creatures. I also used the Salt Seer, who cannot even speak, if the characters lick his salt, they gain strange visions. It helped them out, one of the character took some salt with him and later when they left the sanctum asked advice from the seer by eating the salt.

Hi!

1; Myth resolution
I used the Forest, The Goblin, The Plague, The Wyvern, The Underworld, and The River myths in the campaign. I never really find myself in a bad spot. I cheated with the last omen of the River a little bit. The new lake was not born on the hex where the team was standing, but on a neighbouring hex what they saw from a ventige point (They used the portal cloak from one of the Underworld omen to "teleport" into the holding before it was washed away, so they could save 2/3 of the people.)

2; Group motivation
I think if there is a game where you do not have to worry about group coherence this is that game. They are knights, united by their knightly oaths and dreams of the City. In my campaign the knights were sent to a mission by the Dreaming Seer to find the Amber Knight. All came from a different realm, they met on the road, introduced themselves as knights should do, stated their cause and when they find out that they share the same quest, they joined forces.

3; Stat imbalance
Perhaps we come from different gaming culture, but I do not care about "game balance". I think in story and world logic and not in game logic. There was one knight who rolled really good stats (lowest stat was 14 I guess), one with fairly decent stats and one with horrible stats. I didnt meet any issue at all. Honestly I cannot come up with any theoritical situation where I would need game or stat balance. The level of the stats helped the players to imagine their characters. The one with the low stats were the Willow Knight, the player decided to justify the horrible stats by that his character is almost a kid.

4; Omen frequency
I used the rules stated in the book, during travel at the end of each Phase we rolled a d6 and based on the result I introduced an omen, a landmark or - if it was all clear - a little bit more detailed description of the environment. It worked out just fine.

To be quite honest, although I borrowed the basic premise from the author, I didn't use the game as described in the book. There was a "main quest", "find the Amber Knight". This was the reason the party even went to the realm in the first place, and I used the Amber Knight to "tie" the myths together. The whole campaign had an overarching storyline, a family drama between the ruling Chain Knight, his long believed dead wife and his even longer believed dead son (The Amber Knight). I invented an artifact that the knight used to open the door to the afterlife (The Underworld), these machinations upset the balance of nature (The Forest, The River, The Plague) and it was the Goblin from whom he had previously lured this long lost artifact.

The mythos was strung together on a pretty deep and detailed lore, but it's important to note that I wasn't prepared for this at all. I had no idea at the beginning who the Amber Knight was or why he had to be found. I had no idea about the Black Codex, the family drama in the Chain Knight's past. I just ran myths and threw in info via NPCs as ideas came. THE only thing I was very careful about was that information that was already "canon" was not contradicted later. So sometimes I had to sit down between two sessions to think hard, but the story somehow wrote itself, miraculously. I call this technique Schrödinger's Lore :D. Throw in interesting stuff, basically clues on the spot, then later figure out how does it make sense :D It sounds stupid but I swear it works! :D

I ran a MB campaign (13 sessions long). It is my favorite fantasy rpg so far. There's no bullshit, dozens of pages about some history I do not care about, only playable content and clear guidelines.
I started the campaign with a hexmap of the realm, the 4 holdings, 6 myths, I placed some markers for the landmarks, but I didnt fleshed them out. I had very simple ideas about the holdings, 1-2 NPCs per holding with just a short description for them. I used a simple premise, the creator used in a youtube actual play I have watched (find the Amber Knight!). And then I have just rolled with it. From session to session the world and the mistery just unfold in front of us. I explored the realm and its misteries with the players. And at the end... It was one of the most dramatic, narratively coherent and exciting fantasy campaign I have ever experienced.
This game redefined my whole view about how to (and what to) prepare before a campaign.