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(3 edits)

Wrote a review on F95 I'd like to cross-post here since it looks like dev does not have a presence there:

"A game about music, romance, and the covid-19 pandemic as a convenient plot device" does summarize this AVN up pretty well. I was pretty surprised to see five updates and no reviews, and then I played it. I can see why people would have just dropped it. I will be honest... the beginning is a slog, and the use of COVID hits you like a sledgehammer. Contrast that to, say, Now & Then, which played with the traditional zombie genre during the COVID era by evoking themes of isolation and the destruction of old norms.

Get past the first hour, however, and it gets much better. It fits within that Lessons in Love/Sensei Overnight category of Koikatsu harem games organized around weekly schedules, a cast of LIs, and event triggers. Instead of a mentally broken teacher in Japan, you play a prodigy teenage musician brought into an all-girls music conservatory in rural Midwestern US by an eccentric Headmistress to act as a mentor/object of desire to her pupils of great potential. The stakes are... the conservatory is at risk of closing during the COVID era economy, and the last chance at survival is impressing a billionaire investor with a Spring Showcase of all the students.

Over the course of the next few months, the MC attends classes with the star pupils in A-wing, and slowly but surely a few of them warm up to him more than others. The love interests don't fit the same anime archetypes as in aforementioned comparable AVNs, but a few of them are still one-dimensional this early on. But as typical from this "genre", most of the developed LIs have faced hardships in their lives, and much the romance involves the MC relating to them by listening, consoling, and giving his own background. The quality of dialogue writing is excellent, and I would be surprised and impressed if the dev is not a native English speaker.

Unfortunately, the writing fails in two places: the MC, and the plot. The MC is a Gary Stu with no discernable flaws, and the Headmistress spends the entire AVN talking about how wonderful and talented he is. He is humble and recognizes how good he has it, but the lack of flaws ultimately makes him merely a vessel for the reader and not an interesting character to root for. When he speaks of his parents suffering in the early days of COVID, it falls flat. Speaking of COVID, you could completely remove all references to it and make it simply about living isolated in the middle of nowhere at a conservatory and the plot would be unaffected. As someone without musical talents, experiencing life among these young creatives is interesting, and constant reference to COVID feels pointless and does not seem to be relevant to anything moving forward in the plot.

Within the character-driven elements of the plot, the romance is extremely well written, especially in the last two updates. The emotions of the LIs feel genuine and heartfelt, and I found myself rooting for quite a few of them. I was heavily concerned early on that it would become a catch 'em all harem game when a lewd scene popped up with a LI within the first 30 minutes, but the writing for that character since that event has been realistic within this world's logic. These are eccentric girls, with one boy, in the middle of nowhere, encouraged by a (somewhat creepy) eccentric Headmistress, but they are also inexperienced and anxious girls. Their actions reflect this reality, so progress toward lewd scenes is slow but purposeful, and lewd scenes are awkward when they occur, except when involving the more experienced more depraved staff members.

Perhaps an artistic choice, perhaps a limitation of the dev, but some of the models are not very appealing. I suspect part of it is an attempt to make the girls appear less Japanese in the Koikatsu engine, but it has mixed results.

In overall, I played this out of curiosity, but I was pleasantly surprised how much I enjoyed it. Its quality across all releases probably justifies 3 stars, but with the strength of the romance dialogue and the improvements in recent updates, I will give it 4 stars.

Keep in mind my criticism is my opinion and its your story to tell. Rest assured, soundsommelier, this is an AVN I will be following! This will catch its audience in due time and I anticipate this AVN will only get better! I would hazard to say the 0.4 and 0.5 content feels like a different game.

I am most impressed so far with the Kaylyn, Lily and Jayd plots. Lily is an absolute sweetheart, and Kaylyn's intensity is... yikes.

(+1)

Hi there. Thanks for the well-written critique of this project. It's clear that you've given this a good amount of time and critical thought, which I greatly appreciate.

For whatever it's worth to those reading these comments, covid is not central to my long term goals for this project. In January 2021 when I began writing this game, the salience of the whole lockdown phenomenon was very intriguing to me— social islands of people baking sourdough bread and walking through empty streets against the grim backdrop of tens of thousands of people dying each day. Independent of politics, independent of personal liberties and decision making, I was very interested in that juxtaposition. And I wanted to explore it while talking about music.

I mention it further down in these comments, but exactly how I want to approach the stories told in this game has shifted considerably since its first release. And while I don't have a crystal clear view of where this game is headed, I do intend for covid to remain just background noise in this game— it's there to bring a historical realism (whether it peeves the player or not) to the events of a time that I happen to think is pretty interesting. With the exception of Lyndsie's poor, distant Halmeoni, no one in this game is catching covid. Although one person is in fact very, very sick.

I'll be the first to admit that this game starts off clunky while I got my bearings. It isn't amazing, and it doesn't do a stellar job selling what comes after. But it is a part of this game's history, and that much is enough for me to want to leave what's written as is. Because, as much as I sound like a broken record by now, I do this as a hobby to entertain myself, and so far I've had a lot of fun. It's all gravy if someone else feels moved by what I've written, or decides that Mozart does, in fact, slap.

Thanks again for the review, Van.