Thank you so much for the comment! So much of this was focused on telling the story and seeing how much of it comes through is incredibly cool! I totally agree with the criticisms here too, you mention in Please [...] Electronics that the melody could develop faster and I think it's something I'd like to make sure of in some of the others like the second half of A Lively Catch or There's Nothing in the Water. All of the guitar was actually programmed using Session Guitarist - Picked Acoustic from Kontakt (in the melody mode so not loops)!