The use of chime/bell arpeggios throughout the soundtrack strongly contributes to a cohesively magical and relaxing vibe. And while Starry Sea, to me, feels like the best, most complete version of that vibe, I especially liked the ways you surprised or somewhat strayed from that, like with the vocaloid in One Summer Night or the percussion in Shooting Star—I think they fit quite well in the sound world you’ve created. On top of everything, there is a compositional momentum with how the tracks develop which is essential. Great work here!