I really like the processing you've put on the guitar (compressor with a really slow attack and high make up gain?) gives a lot of air to very attack heavy instrument.
You've certainly communicated the intended vibe with the piano piece, but I think with that constant figure in the left hand you could afford to be a bit more crunchy with the harmony there; some dissonance and resolution could shape the contour of the piece really nicely more than it already has from the performance itself.