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This manifesto is interesting, and it's taking a different approach on this topic than I expected---focusing on discourse rather than design. I agree with the idea that online TTRPG discourse is generally shit (Reddit makes me want to climb up a roof and see if I can fly), and I like the idea of providing clear tools that enable this discourse. I did, however, have a bit of trouble following you here.

After 2-3 reads, I think I've got it, but I was unsure of what you were presenting initially. It seems like the framework  prompts people to ask the following questions about a game while they're discussing it:

  • What are its inputs? That may be better split into:
    • What prior knowledge does it leverage (What is the expected prameya)?
    • How does it expect players to interact with it and each other (What is the danda)?
  • What are its outputs, or the experiences that the game promises?
  • What are its processes, or how does it turn those inputs into its outputs?
  • How essential are those processes to producing its promised outputs?

I feel like there are 2 more questions in there---1 about flow vs. look focus, and 1 about how DIY vs. dictated play is--- but I'm not certain what those exact questions are based on this text alone. Still, I think I got the core idea and I like what you're getting at. 

Also, I like the idea that TTRPGs are machines that take inputs (player knowledge, experiences, and interactions) and turn them into outputs (a promised experience) via specific processes (a rules framework) because that's pretty close to my own working definition of game, though I place a much heavier emphasis on processes and outputs. 

The only part I disagreed with (and it's not really even a disagreement with you) is the "III. DIY Machinery."  I'm with Stone Cold Fox there: I think that those "spaces" are usually a form of very lazy, I'd even call it neglectful, design. They often offload the work of creatin those processes which deliver the outputs onto the players when I think that is solely the designer's job. That latter portion is related to some other strong opinions I have on what complete and good games look like, though, and I don't think acknowledging the existence of spaces/fruitful voids detracts from your overall ideas.

i wasnt necessarily tryna focus on discourse vs design cuz i dont see them as separate; design is a kind of auto-discourse, ur game exists in dialogue w all other games in existence & so as u design a game, u discuss internally the linkages, the comparatives, the contrasts, the theses & anti-theses. defo coulda made that more clear tho

on the prime questions, those r the essence of it yea. prameya isnt strictly prior knowledge - its just first ideas, which are informed by past and presents social contexts bc im a communist, further clarified and detailed by corroborations between things (i,e, danda). i took the terms from wtf, in part cuz i thought it was funny, and in part cuz theyre suitable labels for the general creative matter which play is built out of; in their og context, they referred to the setting and by extension reality of the game itself—prameya as base setting elements, danda as additional detailing sourced from other players. thus, better questions for both would be "what are the fundamental ideas (prameya) this game coaxes out of the Player" and "what are the kinds of clarifications and additional details (danda) does it corroborate with the Player/what clarifications & details does it need corroboration on". 

ill also note that outputs need not be what a game promises - though unequestionably, a designer should align a game's actual outputs with its promised outputs. the outputs just have to be whatever play experiences are produced by the processes; this is how you get game-breaking exploits and games that dont live up to their premises (which isnt always the same as player expectation)

on flow vs look, the point was to not look at this oppositionally, but rather to reify components of play that every instruction directs - how play  goes and how play appears aesthetically. i think the issue u might be coming up against is the granularity of it - flow and look are to be understood on an instruction by instruction basis, u cant make an overarching question of the game over it. if u were to phrase it into a question, i think itd be like "what does [this specific process] direct and how does it do it?", which would be applied individually

diy vs dictated has a similar-ish issue of granularity, as a lot of games have small intentioned spaces as many games have big ones, sp a broad sweeping "how much work does the Player need to do to make the game work" or "how much creative agency does the Player have in the play experience" are only really useful in the latter but not the former. sometimes thats enough but if we were to narrow the scope, something like "what intentioned spaces are littered throughout the game (if any)? how do these affect the outputs?" might be usable

Fair on the first point. I would almost say that's too abstract for me, but I've definitely done similar dissections for my various games' touchstones, they've usually just been targeted---looking at 1 specific mechanic or system at a time rather than the game as a whole---and I (obviously) wasn't applying your theory to them. It's also good to get some clarification on prameya and danda as these aren't terms that I've encountered before.

On flow vs. look and DIY vs. dictated, however, I understood that you were trying to say a game (typically) isn't entirely 1 or the other, rather that its individual components are. My issue was that I didn't know how to turn that concept into a useable question. The example question you gave is a good direction, though. 

What intentioned spaces are littered throughout the game (if any)? how do these affect the outputs?

I think that gets people thinking about a game in terms of components, as well as how those components individually affect play.