Loving the choice of patches and voicings in Now You See Me - as you've noted yourself, it captures a kind of uncertainty. Seeing someone but they're always just slipping out of sight so you're hurrying to keep up and keep them in your sights. Percussion in this is nice and straight-forward, and the bass has just enough groove and sauce to it to keep it interesting. Melodies are fun and a little mysterious at times, while the supporting elements in the background do a good job of propping up the mix.
Now You Don't has some wonderful 16-bit vibes to it off the bat. A lot happening melodically here, and I'm noticing some of said elements are panned accordingly to really use up the stereo-space and keep the ears from fatigue. Percussion is more up-beat and faster in this. There is a definite air of confidence and hope in this, with just the right amount of tension to drive those feelings forward. Noticing that the bass moves around a lot more in this and isn't afraid to rest plenty to give some nice motion to the low end.
Great work, these are both solid tracks and work well with the concept and theme. Production is good, no notable mixing issues on my end. Fun listen!