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Made for Global Game Jam 2026.

Made for Scream Jam 2025. I knew two things going into this jam: I wanted a break from first person stuff, and I wanted to write a horror-comedy. The result is You See a Long Title In Front Of You.

But for real. Although it was tiring, sometimes excruciating, to write 33 endings in one and a half weekends, You See a Monster is one of my favorite narrative experiments. It's not perfect - there are still tonal whiplashes, weak endings, and iffy reactivity - but it is a complete story with a strong theme, and I'm more than glad to see some people resonated with its message.

Made for Global Game Jam 2025. After being a sickly prick 5 years prior during the making of The Last Leviathan, I wanted to make up to my partner Nadav. The result was T-MINUS, which was not only enjoyable to develop but leagues ahead of Leviathan.

T-MINUS was overtly made as a 3-5 minute adrenaline rush. A strange mix between the ever-shrinking battlefields of Battle Royale games with a hectic survival arena shooter. Some people played it over and over during the final hours of the jam, and it even made the rounds here in itch. Genuinely proud of this one.

Made for NaNoRenO 2023. "Failed actress and frustrated army officer running around magical-realist Israel" is a concept I really wanted to write, and this was a perfect chance to try it out.

Wildflowers was made in two weekends while holding a full-time job, meaning it was written with no plan or structure. It led to unexpected moments and twists, but also emotional whiplash and a very weird ending. At the end of the day, I still very much like the cast, and it felt great to finally write these damn characters in a tight project I can actually publish.

Made for 7dfps 2022. Prior to the COVID-19 pandemic, I had the luxury of firing an old revolver. I barely got a few shots in before we left, but for some reason it left a big impact on me.

This game is an attempt to gamify the tactility and complexity of these antique firearms by making a text parser game "for people who hate text parser games" (me included). Judging from the comments, I think it succeeded, and I had fun making and playing it.

Made for GMTK Jam 2022. Much like 9111, If God Wills is intentionally chaotic and nonsensical. An maybe-trollish attempt to take the "roll the dice" theme as literally as possible - I mean, you play as a die that rolls around to kill board game pieces.

It doesn't have much depth and considering it's a game design jam, it's no surprise it didn't reach any top spots. But it never wanted to be. I see it as a return to the simple, dumb, addictive, mouse-drawn style of Newgrounds flash games. And in that respect I think I succeeded.

Created for Scream Jam 2021. Developed in 2-3 hour bursts over the workweek with the self-imposed challenge of making a "one room" adventure game. The result is a short thriller... thing, about getting used to doing something terrible.

Considering how little content there is, the code is an absolute mess and it's all held up with sticks and gum. But overall, I think it's as long as it needs to be and it's effective if you read through everything. You might need to play it twice to get the full experience, though.

Made for Game Maker's Toolkit Jam 2021. On a whim, two friends and I decided to form a team for this jam. During brainstorming, the idea of controlling three cars at the same time immediately sprung up. I was skeptical, but after we came up with the idea of three systems the player must manage (and the ensuing chaos that follows), I was 100% in.

I don't think we managed to properly communicate that 9111 is not a game you play to win, it's a game you laugh along with. It's absolutely insane and dumb and you're set up to lose.

Also, one final fact: the game files were submitted literally 2 minutes before the deadline.

Created for So Bad It's Good Jam 2021. I missed out on many jams in 2021 due to some very demanding gigs, but the simple concept of this jam in particular meant that I could make """freeform art""" and get away with it.

The simple idea of "what if you only had one button but it does a lot of things" combined with vague memories of FTL culminated in this oddly compelling yet stressful concept that I had a blast figuring out.

Created for Global Game Jam 2020. A dungeon crawler where you must "repair" your body while escaping from an occult monster.

To be frank, the game wasn't fun to develop: I was sick and actually considered quitting halfway through, apologizing profusely to my teammate Nadav throughout. Plus, the game had to be rebalanced at the last minute due to some core pillars having to be cut for time.

If you have some experience with the genre, it's a tense crawler that takes a good amount of strategy to solve. Good for a couple of minutes if you can stomach the file size.

Created for Bite-Sized Horror Jam 2018. The kinda-sorta spiritual successor to Typing...: a very short IF about launching a space shuttle. Not quite a "horror" game in the traditional sense. Designing the look and feel of the operating system was a challenge I had fun solving.

ZEUS 111 did teach me a very important lesson: don't assume your players know how to play your game even if it's cribbing off a genre with very established rules. The game didn't see a tenth of Typing...'s attention because of it, but I do like the existential horror concept fascinating.

Created for Game Maker's Toolkit Jam 2017. I'll admit it, it's probably the most unoriginal jam game ever made. "Health as ammo" is probably the most banal and cliched idea for such a jam. With Peacechange, I focused on a striking visual style and game feel, and I did succeed in doing that in my opinion, even if partially.

Created for Global Game Jam 2017. Very much riding off the look of Ultra ADHD, it's an incredibly buggy and artistically in-cohesive stealth-action game where you blow people up with hand waves. And THIS was the game that got somehow covered by Markiplier. Murphy's Law, folks.

While I was in denial of WAVIOLENCE for a long while after its release, it was hilarious to develop, and I now see it essentially as an irreverent game you play to laugh along with (or laugh AT).

And yes, I was tipsy when I made it, why do you ask?

Created for Bite-Sized Horror Jam 2015. Interactive Fiction set in an faux-IRC chatroom. Unintentionally became my most popular game to this day, probably due to a WebGL bug that made the ending hit home for many folks.

It's also a bit of a ripoff of annie96 is typing that I'm kinda ashamed of in hindsight because I made this game to learn Unity and didn't expect it to blow up but you didn't hear me say that